Home » Jazz Articles » Album Review » Sandman Project: Royal Family
Sandman Project: Royal Family
Despite this caveat, the 23-minute Royal Family has merit. The medley of influences and musical cultures is an accurate reflection of the milieu from which Sandman Project operates, which is Jaffa, the ancient port around which modern day Tel Aviv grew. Jaffa is like parts of London or New York, where a community drawn from diverse ethnicities, and with a higher than average proportion of creative people, lives fruitfully and, in the main, harmoniously. So hooray for Jaffa and hooray for Sandman Project. Autumn 2018 is a good time to celebrate diversity rather than rolling out more barbed wire.
Tal Sandman's key musical mentor was saxophonist Abatte Barihun. An Ethiopian Jew, born in Addis Ababa and resident in Israel since 1999, Barihun is a modal-based player and is sometimes, predictably and rather lazily, called the Ethiopian John Coltrane. He tutored Sandman in the subtleties of the Ethiopian tezeta mode, which has similarities to the African American blues scale. The tezeta is at the root of Ethio-jazz and is heard in much of the music on Royal Family.
Sandman spent her musical apprenticeship in Barihun's bands. Maybe next time out we might see Sandman Project featuring Barihun as a guest artist. The prospect is an intriguing one.
Track Listing
Hamsa; Royal Family; Circles; Mazerich; Savana Trip.
Personnel
Sandman Project
band / ensemble / orchestraTal Sandman: guitar; Tal Avraham: trumpet; Tomer Baruch: keyboards, sound effects; Shay Hazan: bass guitar, carcab; Haim E. Peskoff: drums.
Album information
Title: Royal Family | Year Released: 2018 | Record Label: Batov Records
About Sandman Project
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






