Home » Jazz Articles » Album Review » Gwilym Simcock and Yuri Goloubev: Reverie At Schloss Elmau
Gwilym Simcock and Yuri Goloubev: Reverie At Schloss Elmau
By
Schloss Elmau, in Bavaria, was the recording venue for pianist Gwilym Simcock's Barclaycard Mercury Prize nominated solo album Good Days At Schloss Elmau (ACT Music, 2011). In March 2013 Simcock returned to the Schloss in the company of double bassist Yuri Goloubev. The result is Reverie At Schloss Elmau. It's the first duo album by these stylish players, although they have played and recorded together in many ensembles over the years including trios with drummers James Maddren and Asaf Sirkis.
Simcock gets most of the writing credits herefive, to Goloubev's three. Simcock's compositions are perhaps a little more jazz-oriented than Goloubev's, but there's not a vast degree of difference. Both men display a love of melody in their writing; each one shows a delight in using space to enhance the emotional impact of the music. The result is an impressive collection, the generally relaxed and reflective compositions combining with excellent recording (by Adrian von Ripka) to create an intimate mood.
Goloubev originally wrote "Lost Romance" for accordionsomething which is not obviously apparent as bass and piano combine on this romantic ballad. Simcock's "Antics" is suitably jittery and urgent, the duo seemingly racing each other to a distant finish line. It's an enjoyable but uncharacteristic shift in tempo and rhythm. Calm returns immediately, courtesy of another Simcock composition, "A Joy Forever," featuring Goloubev's arco basswhich, appropriately, is a thing of beauty.
"Flow" is another of the pianist's compositions which is aptly described by its titlea rolling, flowing, melody. Goloubev bows his bass with precision and grace, despite working for the most part in what Simcock describes as an "unfeasibly high register" for the instrument. "Vain Song" is dedicated by Goloubev to his musical partner (the title is a nod to Simcock's own "Plain Song.")
"Reverie" was written for piano and double bass by the 19th century Italian composer Giovanni Bottesini. Simcock and Goloubev perform the piece beautifully, the bass readily evoking the mood of the title while Simcock's spare and unshowy accompaniment gives the piece more of a jazz flavor than it traditionally receives. The piece sits comfortably alongside Simcock and Goloubev's own writing: a testament to the timeless quality of the performances and compositions on Reverie At Schloss Elmau.
Simcock gets most of the writing credits herefive, to Goloubev's three. Simcock's compositions are perhaps a little more jazz-oriented than Goloubev's, but there's not a vast degree of difference. Both men display a love of melody in their writing; each one shows a delight in using space to enhance the emotional impact of the music. The result is an impressive collection, the generally relaxed and reflective compositions combining with excellent recording (by Adrian von Ripka) to create an intimate mood.
Goloubev originally wrote "Lost Romance" for accordionsomething which is not obviously apparent as bass and piano combine on this romantic ballad. Simcock's "Antics" is suitably jittery and urgent, the duo seemingly racing each other to a distant finish line. It's an enjoyable but uncharacteristic shift in tempo and rhythm. Calm returns immediately, courtesy of another Simcock composition, "A Joy Forever," featuring Goloubev's arco basswhich, appropriately, is a thing of beauty.
"Flow" is another of the pianist's compositions which is aptly described by its titlea rolling, flowing, melody. Goloubev bows his bass with precision and grace, despite working for the most part in what Simcock describes as an "unfeasibly high register" for the instrument. "Vain Song" is dedicated by Goloubev to his musical partner (the title is a nod to Simcock's own "Plain Song.")
"Reverie" was written for piano and double bass by the 19th century Italian composer Giovanni Bottesini. Simcock and Goloubev perform the piece beautifully, the bass readily evoking the mood of the title while Simcock's spare and unshowy accompaniment gives the piece more of a jazz flavor than it traditionally receives. The piece sits comfortably alongside Simcock and Goloubev's own writing: a testament to the timeless quality of the performances and compositions on Reverie At Schloss Elmau.
Track Listing
Pastoral; Lost Romance; Shades Of Pleasure; Antics; A Joy Forever; Non-Schumann Lied; Flow; Vain Song; Reverie.
Personnel
Gwilym Simcock
pianoGwilym Simcock: piano; Yuri Goloubev: bass.
Album information
Title: Reverie At Schloss Elmau | Year Released: 2014 | Record Label: ACT Music
Comments
Tags
Gwilym Simcock and Yuri Goloubev
CD/LP/Track Review
Gwilym Simcock
Bruce Lindsay
ACT Music
United Kingdom
London
Yuri Goloubev
James Maddren
Asaf Sirkis
Reverie At Schloss Elmau