Interactivo: Que Lindo Es El Amor

With all the hoopla surrounding the lifting of the ridiculous Cuban embargo, some might think that the Cuban people, especially musicians, are sitting around waiting for this to happen. Well, think again. Though many of the premier musicians have gone into exile for a myriad of reasons, those who remain on the island are continuing to produce novel and exuberant music. A case in point is the band Interactivo, which might be better entitled a free-form collective of experimental concepts. Formed in 2001 under the direction of wunderkind Roberto Carcassés, they have come up with an interesting amalgamation of genres and styles which they call timba-funk on Que Lindo Es El Amor.

On their first release in 2005 "Goza Pepillo," they brought in elements from classic rock to rap, all intertwined with unmistakable Afro-Cuban rhythms. "Cubanos Por El Mundo," their 2011 effort, expanded their musical base by bringing in an even larger cast of singers and instrumentalists all whom brought in individual touches and tastes, yet remaining true to their mutual Cuban roots.

Que Lindo Es El Amor is the continuing saga of this rotating and experimental group of cultural explorers. From the title track on through the varied selections, there are several featured vocalists on each track which adds a stimulating element to the listening experience. The singers Francis Del Rio, Brenda Navarette, Melvis Santa, and Danay Suarez, represent the fresh crop of vocalists now coming into their own on the island, and have lent their talents to this production.

"Baila Con Mi Rumba," is a prime example of the timba-funk notion based around the rumba, with a hint of New Orleans brass bands and rap thrown in for good measure. "Cielos Eternos," brings forth the classic nostalgic music from the golden age of Cuban music of the 1950's, when dance bands ruled.

The variety on the record covers everything from reggae in "Viene Y Va La Felicidad," hip-hop in "Wake Up," and reggaeton in "Hollywood No Sabe." Though these more contemporary approaches might turn off some of the older mainstream audience, they are very much in tune with the times and are echoing the sounds and influences which are currently spinning around the globe. And they do it all with an impeccable sense of timing and expertise which many urban artists might learn from.

Interactivo has struck a nerve with the present-day generation of Cubans, who are reaching out for new ways and means of musical and cultural expression. In 2010 Interactivo was the subject of a documentary film, and they have completed several successful tours abroad. Though Carcassés in definitely in charge, he appears to be a democratic leader by giving each performer/contributor ample room to do their own thing, which is line with the collective ensemble concept they strive for. This record is a study of where Cuban popular music has been, and where it is headed.