Home » Jazz Articles » Album Review » Leslie Pintchik: Quartets

282

Leslie Pintchik: Quartets

By

Sign in to view read count
Leslie Pintchik: Quartets
Leslie Pintchik is a newer face on the jazz scene and Quartets is a respectable contribution that keeps in tide with her growing reputation.

Pintchik's approach to jazz does not rely on flashy lines or complex chordal movement like many of her peers; instead, it focuses on strong improvised material backed by a solid group of musicians who both complement her and add their own voice when the time comes for them to solo. Quartets is no exception to her refreshingly subtle style.

Understated though it may be, Quartets never lacks the ability to challenge the musical ear. On the well-known tune "Too Close for Comfort, Pintchik chooses to approach the melody with alternating Brazilian rhythms, which makes for an upbeat and original rendition. Scott Hardy's bass solo on this track is melodically pleasing and eases into a delightful, but unfortunately, short percussion battle between drummers Mark Dodge and Satoshi Takeishi. "Private Moment pleases the ear with Pintchik's simple melodic lines combined with clever chord changes. The melody is played beautifully by Steve Wilson on soprano sax and features a simple, yet sophisticated solo by the leader.

Quartets is a soothingly romantic album in a sea of instant gratification pianists. It is nice to take some time to get to know the music without the rush of a climax. The result is a beautifully performed statement with the delicate sophistication of a love story.

Track Listing

Happy Days Are Here Again; Too Close For Comfort; A Simpler Time; Not So Fast; Over Easy; Private Moment; Fugu; Small Pleasures; Somewhere/Berimbau.

Personnel

Scott Hardy
bass, acoustic
Steve Wilson
saxophone, alto

Album information

Title: Quartets | Year Released: 2008 | Record Label: Ambient Records


< Previous
This Meets That

Next >
Local Lingo

Comments

Tags

Concerts


For the Love of Jazz
Get the Jazz Near You newsletter All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.

You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.

Near

More

Shadow
Lizz Wright
Caught In My Own Trap
Kirke Karja / Étienne Renard / Ludwig Wandinger
Horizon Scanners
Jim Baker / Steve Hunt / Jakob Heinemann

Popular

Get more of a good thing!

Our weekly newsletter highlights our top stories, our special offers, and upcoming jazz events near you.