Stick Men: Prog Noir

Glenn Astarita By

Sign in to view read count
Following up Stick Men's exhilarating recent 2-CD live set Midori (Moonjune, 2016) featuring legendary King Crimson violinist David Cross, the trio now supplements its monstrous attack with vocals, and tinted with a noir (dark) panorama via the lower tonal registers. Moreover, the King Crimson connection is in-place with current members, Tony Levin (Stick & voice) and Pat Mastelotto (drums) fusing their talents with Markus Reuter (Touch Guitars) who recorded with the The Crimson ProjeKCt.

Respectively, the musicians reside in the nucleus of modern era progressive rock initiatives on a global basis; therefore, extensive biographical narratives are beyond the scope of this article. And of course, Levin is a fabled session artist. It would be safe to say that the distinct approach, flavor and supreme technical acumen Stick Men bring to the forefront would not be easily achievable with novices. Here, Levin and Reuter fill out an expansive soundstage with nifty contrapuntal maneuvers and guerrilla bass expositions while extending the band's reach with affable vocals.

From a soloing perspective, the Stick Men embed sustain driven leads with crunching licks atop Mastelotto's slamming backbeats and odd-metered progressions. However, the trio integrates memorable choruses into the grand schema and straight-four punk-ish overtones on "The Tempest." But they implement nimble plucking maneuvers, leading to a grungy opus with distortion-laced backlashes and Reuter's trippy scientific iterations on the good-natured, "Plutonium."

" Schattenhaft" and "Trey's Continuum" are out of the Crimson school as Reuter institutes Robert Fripp-like steel shredding leads with the Touch Guitar methodology, yet "A Rose In The Sand / Requiem" is a full-bodied, unearthly soundscape. And they close it out with a tuneful hook on the up-tempo ballad, "Never The Same."

The trio extends its reach with a bit of a metamorphosis, partly due to the addition of vocals and quirky spoken word passages, lending to a series of works that are framed less on structured jam-based sequences—although they often bust it wide open —and more on song-oriented platforms. It's possibly the band's finest outing to date.

Track Listing

Prog Noir; Mantra; Plutonium; The Tempest; Schattenhaft; A Rose In The Sand / Requiem; Leonardo; Trey’s Continuum; Embracing The Sun; Never The Same.


Tony Levin: Stick and voice; Markus Reuter: U8 and AU8 Touch Guitars; Pat Mastelotto: drums and percussion.

Additional information

Title: Prog Noir | Year Released: 2016 | Record Label: Unsung Records


Shop for Music

Start your music shopping from All About Jazz and you'll support us in the process. Learn how.

Related Articles

Read Season 2
Season 2
By Karl Ackermann
Read Can You Imagine?
Can You Imagine?
By Dan Bilawsky
Read Inities 2017
Inities 2017
By Nenad Georgievski
Read Square Peg
Square Peg
By Dan McClenaghan
Read Fourth Dimension
Fourth Dimension
By Troy Dostert
Read Actio / re:actio
Actio / re:actio
By Friedrich Kunzmann
Read Peaceful King
Peaceful King
By Chris May
Read Brazilian Whispers
Brazilian Whispers
By Dan Bilawsky