All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.
The trio on Michel Reis' Point Of No Return is a testament to the international character of jazz music, especially in the 21th century. A pianist/composer from Luxemburg, Reis studied jazz performance and composition at Berklee College of Music. Adam Cruz is a Latin American drummer, born in New York, whose experience includes playing with Chick Corea and Danilo Perez. Bassist Tal Gamlieli is another amazing musician coming from Israel. The common ground here is the international language of jazz.
There's plenty of improvisation, and harmonic and rhythmic challenging moments: the tempo changes on the lullaby-like "Sailing Away At Night"; the moderate swing on "Street Of Memories"; Vivek Patel's thoughtful flugelhorn improvisations on "It's Only Been a Dream"; and Cruz's powerful drum solo on "Point Of No Return." But the emphasis is on Reis' smart, ingenious and well-constructed compositions.
Reis plays with a good sense of melody, mixed with sophisticated harmonic and rhythmic lines throughoutand, coming from Europe, his music is sometimes relaxing yet complex, and always creative, with a distinct European classical feel. The flugelhorn and soprano sax on "The Power of Beauty" adds to the orchestral feel of Reis' music.
With musicians and composers like this, there is no doubt that the future of jazz is in good hands.
Track Listing: The Power Of Beauty; Folk Song; Sailing Away At Night; It's Only Been A Dream; Point Of No Return; Riverside Drive; Street Of Memories; Leaning In Towards Tomorrow; The Sad Clown.
Personnel: Michel Reis: piano; Tal Gamlieli: bass; Adam Cruz: drums; Vivek Patel: flugelhorn (1, 4, 6); Aaron Kruziki: soprano saxophone (1).
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.