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Sylvie Courvoisier: D'Agala

Read "D'Agala" reviewed by Hrayr Attarian

Boldly innovative pianist Sylvie Courvoisier and her trio, on the brilliant and emotive D'Agala, interpret nine intimate and impressionistic musical tributes. Each original composition is intricately constructed around motifs inspired by the individual dedicatee and has plenty of room within it for spontaneous expression.

For insitance, “Bourgeois's Spider (for Louise Bourgeois)" invokes the famous ...


2018 New Releases and upcoming concerts

Read "2018 New Releases and upcoming concerts" reviewed by Ludovico Granvassu

In this episode of Mondo Jazz we preview unreleased music as well as interesting releases that will be published in the coming months. We also look into Swiss, Finnish, and French approaches to quintessentially United Statesian music genres like Hip-Hop, Jazz and Americana, which travelled to Europe and got local. We also feature Darrell Grant's and ...


Sylvie Courvoisier: D'Agala

Read "D'Agala" reviewed by John Sharpe

Swiss-born, NYC-based pianist Sylvie Courvoisier reconvenes the crew which waxed the wonderful Double Windsor (Tzadik, 2014) for equally rewarding results. As one of the most highly sought after improvisers on the New York scene, Courvoisier has been able to pick her collaborators from the cream, making particularly adept choices in bassist Drew Gress and drummer Kenny ...


Never Alone: Reflections on the 2018 Winter Jazzfest

Read "Never Alone: Reflections on the 2018 Winter Jazzfest" reviewed by Tyran Grillo

Ornette Coleman once said that sound has no parents. But that doesn't mean we can't be its children. On that point, jazz has always been something of a parental force, connecting progenies of representation across geographic and cultural borders. Its relationship to struggle has, however, at times been overshadowed by debate. On the one hand, jazz ...


Sylvie Courvoisier: D'Agala

Read "D'Agala" reviewed by Mark Corroto

If you have a pigeonhole into which you would like to place pianist Sylvie Courvoisier's music, maybe stop reading right now. The Swiss-born, now twenty-year native of New York, apportions her many talents to multiple ensembles and musical styles--solo to large ensemble, chamber works, Downtown jazz, flamenco, European classical and improvisation. Needless to say, stagnant is ...


Sylvie Courvoisier Trio: D'Agala

Read "D'Agala" reviewed by Troy Dostert

Swiss-born pianist Sylvie Courvoisier has spent close to twenty years in the states honing her distinctive approach to classically-inflected jazz improvisation. Along the way she's worked with a who's-who of leading-edge musicians, including veterans like John Zorn, Evan Parker and Ellery Eskelin, but also the younger generation of avant-gardists such as Mary Halvorson and Nate Wooley. ...


John Sharpe's Best Releases Of 2017

Read "John Sharpe's Best Releases Of 2017" reviewed by John Sharpe

Here are ten new releases and two partial reissues, reviewed on All About Jazz, which stood out among the 200 or so discs that I heard this year.

Sylvie Courvoisier / Mary Halvorson
Crop Circles
(Relative Pitch Records)

Over the last fifteen years or more, pianist Sylvie Courvoisier and guitarist ...


Mat Maneri: Sounding Tears

Read "Sounding Tears" reviewed by John Sharpe

In the wake of Evan Parker's 2013 and 2014 residencies at New York's The Stone, a slew of tremendous recordings has emerged showcasing the British saxophonist's encounters with the luminaries of the downtown scene. Prominent among them are Miller's Tale (Intakt, 2016) with the electronics of Ikue Mori, violinist Mark Feldman and pianist Sylvie Courvoisier, Either, ...


Live From The New Stone School: Brandon Ross, Wadada Leo Smith, Bill Laswell & Susie Ibarra

Read "Live From The New Stone School: Brandon Ross, Wadada Leo Smith, Bill Laswell & Susie Ibarra" reviewed by Martin Longley

Phantom Station
The Stone at The New School
June 17, 2017

The Stone is pulling its shutters down for the last time, come the close of 2017. John Zorn's excellent Alphabet City corner venue has spent 12 years being an uncompromising centre for questioning music, but its mastermind has now ...


Ai Confini tra Sardegna e Jazz - XXXII Edizione

Read "Ai Confini tra Sardegna e Jazz - XXXII Edizione" reviewed by Paolo Peviani

Ai Confini tra Sardegna e Jazz
Sant'Anna Arresi
Piazza del Nuraghe

Max Roach e la sua We Insist! Freedom Now Suite. Erano queste le coordinate di riferimento della trentaduesima edizione del festival Ai Confini tra Sardegna e Jazz. Percussioni, dunque, ma anche lotte per i diritti civili, per le conquiste ...