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Content by tag "Lyn Horton"

ARTICLE: BEST OF / YEAR END

Lyn Horton's Top Releases of 2010

Read "Lyn Horton's Top Releases of 2010" reviewed by Lyn Horton

William Parker Quartet Uncle Joe's Spirit House

(AUM Fidelity)

Matthew Shipp 4D

(Thirsty Ear)

David S. Ware Saturnian, Volume One

(AUM Fidelity)

Vox Arcana Aerial Age

(Allos Documents)

David Rempis and Frank Rosaly
Cyrillic

(482 Music)

Joe McPhee / Dominic ...

ARTICLE: CD/LP/TRACK REVIEW

Scanner with the Post Modern Jazz Quartet: Blink of An Eye

Read "Blink of An Eye" reviewed by Lyn Horton

From the very first sounds heard on Blink of An Eye's “Shadow Splice," a ground is gradually established with bass piano chords, a minor-key string bass arco line, a floating vibe resonance and steady pulse rising from the cymbals.

As the Ellingtonian “Blues In C" evokes, the source of improvisational music is the ...

ARTICLE: CD/LP/TRACK REVIEW

William Parker Organ Quartet: Uncle Joe's Spirit House

Read "Uncle Joe's Spirit House" reviewed by Lyn Horton

Defining his direction is one recognizable talent that composer/musician William Parker constantly demonstrates, though not in so many words; but within his art, the direction is clear as day. The musicians he chooses to fulfill his intentions are also exactly whom he needs, for he understands how they operate to blend in joyous confluence that is ...

ARTICLE: PROFILES

David S. Ware: Planetary Musician

Read "David S. Ware: Planetary Musician" reviewed by Lyn Horton

On Sunday, June 27th, 2010, about a half-hour after its scheduled 9:30 pm appearance on the Abrons Art Center main performance stage in New York City, the David S. Ware Trio was setting up. The audience for this night of Vision Festival XV was its usual wandering and low-hum conversational self. William Parker stood by his ...

Vijay Iyer: Solo

Read "Solo" reviewed by Lyn Horton

On the heels of being named Musician of the Year in June, 2010, by the Jazz Journalists Association, Vijay Iyer has released his first solo piano recording. Solo comes after the critical success of his trio's Historicity (ACT Music, 2009) and quartet's Tragicomic (Sunnyside, 2008).

Iyer is a kind of Renaissance man, with ...

Nicole Mitchell's Sonic Projections: Emerald Hills

Read "Emerald Hills" reviewed by Lyn Horton

All four of flutist Nicole Mitchell's groups reveal specific tangents which her music can follow. One of those groups--Sonic Projections, whose evolution grew out of paying tribute to George Lewis' book A Power Stronger Than Itself: The AACM and American Experimental Music (University of Chicago Press, 2008)--shows what Mitchell believes to be her rebellious side. Mitchell ...

ARTICLE: PROFILES

Wadada Leo Smith: A Vital Life Force

Read "Wadada Leo Smith: A Vital Life Force" reviewed by Lyn Horton

“To teach and create and not expect or demand anything in return."--Wadada Leo Smith, quoted in an article printed in The Houston Chronicle, November 4, 2006

On the nine-by-eleven inch cover of the February, 2010, issue of Wire magazine is a full-page photo of trumpeter Wadada Leo Smith. Only the upper half of his body is ...

Michael Musillami: Old Tea

Read "Old Tea" reviewed by Lyn Horton

Guitarist Michael Musillami has seized onto the meaning of irreplaceable moments with Old Tea, dedicated to his 29-year-old son, who took his own life on March 10, 2009. In an extraordinarily touching story, Musillami's liner notes say what cannot be said musically. But the music, executed by his outstanding regular trio, expresses more than can be ...

Steve Swallow / Ohad Talmor / Adam Nussbaum: Playing in Traffic

Read "Playing in Traffic" reviewed by Lyn Horton

Recorded at the 2008 Xopana Festival in Madeira, Portugal, Playing in Traffic begins with its title tune and a rhythmic walking line from electric bassist Steve Swallow's nimble fingers. Drummer Adam Nussbaum follows with rapid stick and brushwork and tenor saxophonist Ohad Talmor folds into the rhythm with precise staccato phrases. This bouncy cut introduces a ...

David S. Ware: Saturnian (Solo Saxophones, Volume One)

Read "Saturnian (Solo Saxophones, Volume One)" reviewed by Lyn Horton

In a 2003 interview, reed player David S. Ware talked about “a revelation which changed his musical life." It occurred while performing in Boston, where he suddenly could “witness" himself playing the music. When that happened, he cultivated the epiphany as meaning that he, alone, is the channel for the music which comes out of his ...


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