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ARTICLE: ALBUM REVIEWS

Joe Henderson: The State Of The Tenor • Live At The Village Vanguard • Volume 2

Read "The State Of The Tenor • Live At The Village Vanguard • Volume 2" reviewed by Greg Simmons

If any jazz performance from the 1980s could be thought of as a landmark statement, Joe Henderson's live State of the Tenor sessions would surely float to the top of the list. Recorded at the Village Vanguard over three nights in November 1985 and originally released on Blue Note Records two years later, State of the ...

ARTICLE: MULTIPLE REVIEWS

Music Matters: SRX Vinyl

Read "Music Matters: SRX Vinyl" reviewed by Greg Simmons

Music Matters, the vinyl reissue house known for it's long string of high-quality all-analog pressings of classic Blue Note records, has released a dozen additional titles just a year or so after completing what was supposed to have been their final offerings. The new records include some that Music Matters had released in earlier series, as ...

ARTICLE: ALBUM REVIEWS

Wayne Shorter: Adam's Apple

Read "Adam's Apple" reviewed by Greg Simmons

In all the perpetual hubbub surrounding Blue Note records from the 1950s--the aggressive opinions and stratospheric prices--it's sometime easy to forget that the label released really high quality music all the way through the 1960s, and some of the recordings from the later years of the decade are every bit as worthy of attention as the ...

ARTICLE: ALBUM REVIEWS

Grachan Moncur III: Evolution

Read "Evolution" reviewed by Greg Simmons

One of the more unusual records in Music Matters series of Blue Note Records reissues is Grachan Moncur III's avant-garde classic Evolution, released here on a 45 rpm double LP. The Music Matters Blue Notes are among the highest quality jazz vinyl available, with fanatical attention to sound, packaging, and pressing quality, here doing serious justice ...

Lee Morgan On Music Matters

Read "Lee Morgan On Music Matters" reviewed by Greg Simmons

Somewhere up in the sky there's a pantheon of jazz legends. Lee Morgan rightfully has a seat in the top tier, and the jam must be extraordinary.

Morgan hit the scene in 1956, an obvious prodigy who'd scored two triumphs at the tender age of eighteen: a standing gig in Dizzy Gillespie's big band ...

ARTICLE: ALBUM REVIEWS

Duke Pearson: WAHOO!

Read "WAHOO!" reviewed by Greg Simmons

Duke Pearson occupied an unusual position within Blue Note Record's roster of artists. In addition to recording as both leader and sideman he also served as the label's A&R man, following in the footsteps of Ike Quebec. Pearson also served as the arranger on many albums, including sessions--Stanley Turrentine's Rough 'n' Tumble, comes to mind--where other ...

ARTICLE: ALBUM REVIEWS

Hank Mobley: Hank Mobley

Read "Hank Mobley" reviewed by Greg Simmons

During the 1950s and '60s Hank Mobley was an especially prolific musician. In addition to many dates as a sideman, his string of 26 or so records under his own name for Blue Note certainly makes him the one of, if not the label's productivity champion. Most of his dates are excellent performances, yet somehow his ...

ARTICLE: ALBUM REVIEWS

Thad Jones: The Magnificent Thad Jones

Read "The Magnificent Thad Jones" reviewed by Greg Simmons

It's all about the swing. Featured in the Count Basie Orchestra, one of the hardest swinging bands ever, Thad Jones had more swing in his little toe then most musicians will ever dream of. Even when he slowed the tempo he still swung, and his second date as a leader for Blue Note Records, The Magnificent ...

ARTICLE: PROFILES

The Giant Legacy of Rudy Van Gelder

Read "The Giant Legacy of Rudy Van Gelder" reviewed by Greg Simmons

Recording Engineer Rudy Van Gelder died at home of natural causes on August 25th at the age of 91. His legacy--and it's a big one--is the countless recordings he made during modern jazz's greatest period of innovation. Almost any jazz musician of note who was making records--especially if they were working on the east coast--was captured ...

ARTICLE: ALBUM REVIEWS

Kenny Clarke: The Golden 8

Read "The Golden 8" reviewed by Greg Simmons

The first time I dropped a needle on a Music Matters 33 rpm test-pressing of Kenny Clarke and Francy Boland's The Golden 8 I was surprised to hear something quite unusual: a Blue Note record that was clearly not recorded in Hackensack.

With only a few exceptions, most Blue Note records of the 1950s ...