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Introduction The life and times of a minor jazz legend are recounted through his narrated memories. In this fictional treatment of jazz music in the mid-to-late 20th century, issues of race, creativity, addiction and, ultimately, redemption, are explored. With a title taken from the immortal Charlie Parker tune, “Now's The Time" is an extended meditation on the artistic life. Part 1 | Part 2 | Part 3 | Part 4 | Part 5 You ...
Introduction The life and times of a minor jazz legend are recounted through his narrated memories. In this fictional treatment of jazz music in the mid-to-late 20th century, issues of race, creativity, addiction and, ultimately, redemption, are explored. With a title taken from the immortal Charlie Parker tune, “Now's The Time" is an extended meditation on the artistic life. Part 1 | Part 2 | Part 3 | Part 4 | Part 5 He ...
Introduction The life and times of a minor jazz legend are recounted through his narrated memories. In this fictional treatment of jazz music in the mid-to-late 20th century, issues of race, creativity, addiction and, ultimately, redemption, are explored. With a title taken from the immortal Charlie Parker tune, “Now's The Time" is an extended meditation on the artistic life. Part 1 | Part 2 | Part 3 | Part 4 | Part 5 He ...
Introduction The life and times of a minor jazz legend are recounted through his narrated memories. In this fictional treatment of jazz music in the mid-to-late 20th century, issues of race, creativity, addiction and, ultimately, redemption, are explored. With a title taken from the immortal Charlie Parker tune, “Now's The Time" is an extended meditation on the artistic life. Part 1 | Part 2 | Part 3 | Part 4 | Part 5 He ...
Introduction The life and times of a minor jazz legend are recounted through his narrated memories. In this fictional treatment of jazz music in the mid-to-late 20th century, issues of race, creativity, addiction and, ultimately, redemption, are explored. With a title taken from the immortal Charlie Parker tune, “Now's The Time" is an extended meditation on the artistic life. Part 1 | Part 2 | Part 3 | Part 4 | Part 5 It ...
I had been thinking of home when I died. “Do you want a drink now?" she asked. “A drink-drink?" “Mais oui." The modus operandi of an angel with a mean streak. How had I gotten here? Her place, I had been here once but that was as part of a crowd which became a roving party, stopped only by the first rays of a new day's sun. That ...
She clutched my hand deciding to worry about how to deny having done such a thing later. It was Sabbath's first time leaving Brooklyn and she was nervous. Of course I was all right, I had been until we were well under way and past the point of no return. Passing through customs had been fine as it could have been anyplace crowded by humanity for some kind of holiday sale or concert and did not feel of being somewhere ...
I had been the third dreamer that she had lived with. Immediately preceding me, a 5'3" guitarist whose long hair was almost equal to his height but thinning, since it was taking him so long to “make it" as an established musician and then his friend, from a well to do family but considered incapable of ever running the family business. He was an art dilettante, plucking away at a bass and working menial jobs between allowance checks. ...
I love jazz because I hear musicians being in the “now”, creating on the spot.
I was first exposed to jazz by my father. He doesn't play (though he has dabbled with piano in the past), but apparently jazz runs in the family blood
I love jazz because I hear musicians being in the “now”, creating on the spot.
I was first exposed to jazz by my father. He doesn't play (though he has dabbled with piano in the past), but apparently jazz runs in the family blood. My grandfather, a professional jazz pianist, once accompanied Judy Garland when she strolled into the Chicago hotel where he played; one of the songs they performed was, of course, “Somewhere Over the Rainbow.” I never got to hear my grandfather play, because he gave up “the life” when he moved to California, when my dad was still in high school. However, my grandpa remains an inspiration, so I wrote an arrangement of “Somewhere” in Latin Jazz style, and dedicated to my father and to the memory of my grandfather.
The first jazz record I bought was McCoy Tyner, “Dimensions.” McCoy is a great influence on my piano playing to this day.
My advice to new listeners is, have an open mind; let the music develop, let the artists take you on a journey. Jazz is human, personal, and carries great immediacy. In an age where technology replaces the human element in much art, jazz in general is all about the performance. Even in recording, it is a moment of spontaneity frozen in time. So support live music, support live jazz! Keep us human in the modern world.
