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If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

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ALBUM REVIEWS

Awakening Orchestra: Atticus Live!

Read "Atticus Live!" reviewed by Jack Bowers

Sorry. If this is the direction in which big-band jazz is moving, please apply the brakes as quickly and gently as possible so that this listener may exit the train. When it comes to big bands, some members of an older generation cling to standards that must always be upheld. Not swinging is from time to time a forgivable sin, depending on the circumstances; plodding erratically forward with a minimum of charm and no clear purpose in mind is less ...

ALBUM REVIEWS

Awakening Orchestra: Interlude: Atticus Live!-The Music of Jesse Lewis

Read "Interlude: Atticus Live!-The Music of Jesse Lewis" reviewed by Karl Ackermann

On the heals of the excellent debut This Is Not the Answer, Vol 1 (Innova Recordings, 2014), composer/conductor Kyle Saulnier leaves the writing credits to featured guitarist/composer Jesse Lewis on Interlude: Atticus Live!-The Music of Jesse Lewis. Not a regular member of Saulnier's Awakening Orchestra, Lewis had recorded each of these tracks on his similarly named Atticus (Self-Produced, 2008). Saulnier was intrigued by the notion of recreating these tunes with his twenty-piece jazz orchestra and set about to capture that ...

ALBUM REVIEWS

Awakening Orchestra: Vol. 1: This Is Not the Answer

Read "Vol. 1: This Is Not the Answer" reviewed by Karl Ackermann

Connecticut native Kyle Saulnier is both a life-long student and a working teacher of jazz. The multi-instrumentalist and composer leads the 20-piece Awakening Orchestra's debut, This Is Not the Answer and it is as rare an achievement as Carla Bley's historic Escalator Over The Hill (ECM, 1971). The latter work--more jazz-operetta in orientation and prescribed in its thematic flow--nevertheless shares many similar elements and the Awakening Orchestra has created no less of a monumental event. Subtitled, “Of Conflict ...