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RADIO

Running The Bas(s)es

Read "Running The Bas(s)es" reviewed by Maurice Hogue

In baseball parlance, “touch 'em all" refers to hitting a four-bagger, a home run. In this week's episode, we try to “touch" a whole bunch of wonderful contemporary bassists. The following would make up a pretty darn good all-star team of “bass" runners: John Hébert with Marty Ehrlich, Joshua Abrams, Drew Gress in Free Country, Sean Conly, Moppa Elliott of Mostly Other People Do The Killing, Antoine Berjeaut, Robert Landfermann, Hubert Dupont, Krzysztof Pabian of the Chicago Edge Ensemble , ...

ALBUM REVIEW

John Hébert: Floodgates

Read "Floodgates" reviewed by Mark Corroto

Finding three musicians that speak the same language--jazz--is not uncommon. However, finding three that are as compatible as bassist John Hébert, pianist Benoît Delbecq, and drummer Gerald Cleaver is, as the French say, recherché. French culture is the theme of Hébert's trio recording. The New Orleans born, Cajun bassist invited the Paris-based pianist and Detroit's Cleaver (a city founded by French officer Antoine de La Mothe Cadillac) to record the follow-up to their inaugural release Spiritual Lover ...

ALBUM REVIEW

John Hebert: Spiritual Lover

Read "Spiritual Lover" reviewed by Stuart Broomer

John Hébert's skills as a bassist have been amply apparent for several years, in projects that have called on rock-solid tone, time and pitch to imaginative free improvisation. But Byzantine Monkey (Clean Feed, 2009) demonstrated his substantial talents as a composer and bandleader, fronting a quintet/sextet dense in reeds and percussion. On Spiritual Lover he's taken a different tack, leading a trio with French pianist Benoît Delbecq (adding clavinet and analogue synth) and drummer Gerald Cleaver. Hébert ...

ALBUM REVIEW

John Hebert: Byzantine Monkey

Read "Byzantine Monkey" reviewed by Stuart Broomer

John Hébert's Byzantine Monkey begins with a loop of the traditional “La Reine de la Salle" sung by Odile Falcon in an ancient reedy voice, Hébert's improvised bass joining in, his lines at once swift and empathetic, lyrical and microtonal, his sound deeply resonant and every metallic buzz of string and finger captured. It's an arresting moment, Hébert's Louisiana roots as palpable as his bass. Those roots are just as apparent when loop and bass cede the foreground to Tony ...

PROFILE

John Hebert

Read "John Hebert" reviewed by Andrey Henkin

John Hebert is the answer to the sad trivia question, Who is the last bassist to play with pianist Andrew Hill? That final performance came on Mar. 29th, 2007 at Trinity Church in downtown Manhattan in a trio with drummer Eric McPherson; Hill would die just over three weeks later. For the New Orleans-born Hebert, being part of the bass lineage of Hill, a pantheon that has included Richard Davis, Ron Carter, Reggie Workman and even Hebert's teacher from William ...

ALBUM REVIEW

John Hebert: Byzantine Monkey

Read "Byzantine Monkey" reviewed by Nic Jones

Bassist John Hebert was a member of guitarist Mary Halvorson's trio that put out the memorable Dragon's Head on Firehouse 12 in 2008, while Michael Attias has recorded with guitarist Bruce Eisenbeil on Opium (2002) for CIMP, one of the most rewarding titles of the last ten years. This program thus has a lot to live up to.

If the instrumental line-up suggests free-bop in the mode of early Ornette Coleman then prepare to have that expectation dashed. Hebert clearly ...


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