As with other Phish archive titles such as Chicago '94
(Jemp, 2012), The Palace of Auburn Hills December 6,1997
and Star Lake '98
offer more than mere comparison and contrast of musicianship: the download/two-CD set and DVD alternately accentuate and complement the band's current activities. And while both titles boast eye-catching graphics (the former eschews generic bootleg style for downright dazzling stage photos), neither title includes historical content to put the music within into some historical perspective for those outside the band's loyal community. Phish is clearly confident enough to let its music speak for itself and rightly so.
PhishDecember 6, 1997 The Palace of Auburn HillsJemp Records
The immaculate recordings here, by Paul Languedoc , almost but not quite make recommendations for headphone listening irresistible for this December 6, 1997 release. Especially in regards to the non-stop second half of the appearance, the title reaffirms its hallowed status in Phish lore, as the first set is also a great example of the group's willingness to take chances with an unconventional approach to a show. So, after rushing from the gate via "Golgi Apparatus" and "Run Like An Antelope," a reversal of the usual dynamics the group employs, the foursome builds up speed during the first half, staking out the territory for later in the evening.
The instinctive abandon within the subsequent improvisations in the second set, through "Twist" and "Piper," may be far removed from the measured inspiration of so many post-2009 reunion shows, but the breathless momentum arising from the uncanny collective interplay, led by guitarist Trey Anastasio
, is much the same. Thus, while the inclusion of Jimi Hendrix
' "Izabella" might seem incongruous with the funkified likes of "Bathtub Gin," it's well to note the late guitar icon wrote this tune as he was delving into earthy musical realms himself, via post-Experience projects including Band of Gypsys
(Capitol Records, 1970).
PhishStar Lake '98Jemp Records
Taken from the video feed of this shed show, judicious touches such as close-ups of drummer Jon Fishman's footwork and stick work, not to mention artful superimpositions of guitarist Trey Anastasio, become bona fide
highlights (and how far has Chris Kuroda's light work come in the near fifteen-year interim?). Phish's selection of covers remains notable today and may in fact have its most significant roots in the tour from which this DVD is taken. The quartet plays such tunes as Bob Marley
's "Trenchtown Rock" (as show opener?!), Little Feat
's "Time Loves a Hero" and Los Lobos' "When the Circus Comes to Town" as fans of the respective bands, so the lightheartedness Phish brings to such songs aids in maintaining a healthy detachment, as well as an emotional commitment to its own compositions, even those so slight as "Bittersweet Motel."
The choice of outside material also affects the logic of the set progressions, which here are markedly different than the cumulative momentum the band sustains during the LivePhish piece. The respective segues that conclude each disc of Star Lake '98
mirror each other as "Fee," into "Maze" followed by "Sample in a Jar," simultaneously accelerate and brake the momentum much like the combination of "Wilson" and "Golgi Apparatus." The end result is, perhaps, the ideal state of mind in which to leave Its audience, simultaneously satisfied and hungry for more.
Tracks and PersonnelDecember 6, 1997 The Palace of Auburn Hills
Tracks: CD1: Golgi Apparatus; Run Like an Antelope; Train Song >Bathtub Gin>Foam; Sample in a Jar; Fee>Maze, Cavern. CD2: Tweezer>Izabella>Twist> Piper; Sleeping Monkey>Tweezer Reprise. Encore: Rocky Top.
Personnel: Trey Anastasio: guitar, vocals; Page McConnell: keyboards, vocals; Jon Fishman: drums, vocals; Mike Gordon: bass, vocals.Star Lake '98
Tracks: CD1: Trench Town Rock>Julius; Wolfman's Brother>Time Loves a Hero; Bittersweet Motel; Reba; The Sloth; Ginseng Sullivan; Fee; Maze; Sample in a Jar. CD2: Runaway Jim; Meat>Limb By Limb; When the Circus Comes to Town>Down with Disease. Encore: Wilson>Golgi Apparatus.
Personnel: Trey Anastasio: guitar, vocals; Page McConnell: keyboards, vocals; Jon Fishman: drums, vocals; Mike Gordon: bass, vocals..
FOR THE LOVE OF JAZZ
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
WE NEED YOUR HELP
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles
for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today