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There is active dispute over whether guitarist Pat Martino's playing has the drive and edge it had before his brain surgery in 1980. Tenor saxophonist Eric Alexander, one of the many (briefly) talking heads in this documentary, says: "I like his sound better now." The film includes a few astute comments on Martino the musicianthe best, surprisingly, coming from Who guitarist Pete Townshend.
But it's the surgery that is the central concern. Don't expect a musical portrait of Martino or even much of his playing. This is a documentary about Martino's brainand sad to say, illuminating it mostly isn't.
The voices speaking are often doctors. We see sessions between Martino and the former as his short-term memory is tested (it's pretty bad) and he's questioned about longer-term memories (with decidedly mixed results). There are even scenes of Martino undergoing a CAT scan and viewing the results. When told that the missing parts of his brainexcised with a tumorincluded portions that control emotions, Martino says: "What is missing is disappointment, criticism and all the dilemmas that made life so difficult."
But what memories Martino does have are often haphazard and fragmentary, and if this film is trying to mimic the way his brain functions, it very exasperatingly succeeds. It follows no systematic chronology and is assembled as if every separate sequence was shot and then shattered into myriad fragments then mixed together. No scene stays on screen very long and there are abrupt skips from brain scans to band rehearsals to talking heads to Martino and his wife playing guitars toand this one is really surrealhis neurosurgeon talking in a garage filled with Porsches and Ferraris.
We never really learn how Martinowho before the successful outcome of the surgery didn't know his family or that he was a heralded jazz musicianremastered the art of jazz guitar. Various explanations are floated, including this conundrum from his neurosurgeon: "It's not so much he rediscovered the music as the music rediscovered him."
Jazz is lucky to have Martino active again in 2009. But disappointingly, this film doesn't tell us how he returned, although it does hint at a fascinating journey.
Production Notes: UK 2008 Color Length/ main feature: 82; Special extras: 70. Extras on the DVD include: Concert footage: live at Birdland and Ronnie Scott's; Martino masterclass tasters; The Nature Of Guitar & Sacred Geometry; Paul Broks masterclass; Is There a Soul?; Carlos Santana and Pete Townshend talk Jazz; Les Paul interview; Michael Sembello interview; Joe Pesci; Red Holloway.
I love jazz because I enjoy the freedom.
I was first exposed to jazz when I was 17.
I met Cedar Walton at a concert in San Paulo.
The best show I ever attended was Helio Jambao trio.
The first jazz record I bought was Witchcraft by George Benson.
My advice to new listeners is listen to the old school first.