Home » Jazz Articles » Album Review » Jimmy Cobb's Mob: Only for the Pure at Heart
Jimmy Cobb's Mob: Only for the Pure at Heart
Remarkably, this new release on the new Fable label, is Cobb's first as a leader. And he doesn't disappoint, proving himself as smooth, agile, and, when necessary, explosive as ever. Few drummers have as complete a command of their instrument as Cobb, and few can draw on such far-reaching knowledge of the jazz idiom. Veteran Richard Wyands (one of jazz's more underrated pianists) and talented youngsters Peter Bernstein on guitar and John Webber on bass mesh smoothly with this drum master.
The quartet works through a nicely varied set featuring the standards "Stars Fell on Alabama" and "Smile," Jimmy Heath's "Gingerbread Boy," and three tunes by trumpeter Tex Allen, including the title cut. With Bernstein taking the lead on most of the tunes here, the album favorably recalls Cobb's excellent 1960s sides with Wes Montgomery and the Wynton Kelly Trio.
FOLLOW Joel Roberts
and get notified whenever a new article published.
Joel Roberts has been contirbuting to AAJ since its earliest days.
Personnel
Album information
Title: Only for the Pure at Heart | Year Released: 1998
About Jimmy Cobb's Mob
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.
