Norwegian trio Bol has always been a melting pot of untimely sound worlds, poetic texts and fearless, improvising character. Vocalist Tone Åse experiments with live electronics and subtle interpretations of poems, as she did on her recent collaboration with drummer Thomas Strønen, Voxpheria (Gigafon, 2012). Keyboardist Ståle Storløkken evokes progressive rock symphonies with his usage of vintage synthesizers, while drummer Tor Haugerud explores original grooves.
On this recording, four years after Skylab (NORCD, 2008), Bol is joined by two extremely creative and unorthodox guitarists Hans Magnus Ryan (known as Snah), from seminal Norwegian band Motorpsycho, and Stian Westerhus, known for his impressive solo outing Pitch Black Star Spangled (Rune Grammofon, 2010) and as a member of Nils Petter Molvaer's trio. This quintet performed first at Trondheim Jazz Festival in 2010, and the praised performance has culminated in this recording.
The seven compositions vary in nature. All stress the lyrics and are structured as mini-suites. "Numb, number" evolves slowly and gently around the vocalist's expressive recitation of her poem. Åse's vocals and Storløkken's spare electronic sounds embraces the poetic images of e.e. cummings' "Spring is like a perhaps hand" with a perfect, corresponding cinematic sonic envelope.
"You bird," after a poem by modern Norwegian poet Rolf Jacobsen, has a grandiose, powerful arrangement, similar to the recent collaboration by Motorpsycho and Storløkken on The Death Defying Unicorn (Rune Grammofon, 2012), with the distinctive sounds of the two guitarists placed upfront. "Waiting Time," based on another Jacobsen poem, develops patiently. Åse plays with the poem, while Westerhus' sustained guitar lines and Storløkken's psychedelic synthesizer sounds engulf her fragile, nuanced reading.
"The Western Wind," also after Jacobsen poem, is a compact prog-rock symphony, governed by Åse's warm, soaring vocals and improvisations. She is aided by the twin-guitar power chords and Storløkken and Haugerud's electric storm. "Asphalt," using another Jacobsen poem, has a spare, threatening soundscape that stresses Åse's delivery of the poetic content concerning the danger of authoritative regimes.
"Singing Again," from a poem by Norwegian port Olav. H. Hauge, is a hopeful, love message to the beautiful nature around us. The poem is performed with an emotional, melodic and delicate arrangementa fitting conclusion to this magnificent journey in sound and poetry.
Numb, number; Spring is like a perhaps hand; You bird -; Waiting time; The Western Wind; Asphalt; Singing again.
All About Jazz has been a pillar of jazz since 1995, championing it as an art form and, more importantly, supporting the musicians who create it. Our enduring commitment has made "AAJ" one of the most culturally important websites of its kind, read by hundreds of thousands of fans, musicians and industry figures every month.
You Can Help
To expand our coverage even further and develop new means to foster jazz discovery and connectivity we need your help. You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky ads plus provide access to future articles for a full year. This winning combination will vastly improve your AAJ experience and allow us to vigorously build on the pioneering work we first started in 1995. So enjoy an ad-free AAJ experience and help us remain a positive beacon for jazz by making a donation today.