Home » Jazz Articles » Album Review » Hilary Noble: Noble Savage
Hilary Noble: Noble Savage
In spite of what seems an almost irresistible urge to screech, especially on tenor, Noble is a respectable improviser with bang-up technique and fluency. Noble composed eight of the album’s eleven selections and co-authored the brief “Güiro Moderno” with Sanabria. Rounding out the program are Andy McWain’s gossamer “Dream Dance” and Charles Mingus’ strutting “Jelly Roll,” which dances straight to the heart of New Orleans-style Jazz on the wings of Sanabria’s street-wise drumming and rollicking solos by Noble (soprano and tenor), pianist John di Martino and bassist Boris Kozlov. “Jelly Roll” is a highlight, as are “Dream Dance” and Noble’s swaying “Rumb’azul” and galvanizing “Sanduga Mofongo.”
The finale, “Terra Australis” (Southern Land), which Noble describes as “a sinuous and unsettling hymn to Oz, home of my forefathers,” is precisely that, a medium-tempo tone poem that begins well before drifting uneasily toward a strident and less than agreeable ending. Happily for the listener, an abundance of lively and colorful Caribbean-based Jazz precedes it, earning Noble Savage high marks for enterprise and enthusiasm.
Contact: Whaling City Sound, 560 Pleasant Street, PMB #01, New Bedford, MA 02740–6236. Web site, www.whalingcitysound.com
Track Listing
The Fire Next Time; Rumb
Personnel
Hilary Noble
saxophone, tenorHilary Noble, tenor, alto, soprano saxophone, percussion; Charles Neville, saxophones; John di Martino, piano; Boris Kozlov, bass; Bobby Sanabria, drums, percussion.
Album information
Title: Noble Savage | Year Released: 2003 | Record Label: Whaling City Sound
About Hilary Noble
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






