439

Kenny Wheeler / Colours Jazz Orchestra: Nineteen Plus One

John Kelman By

Sign in to view read count
Kenny Wheeler / Colours Jazz Orchestra: Nineteen Plus One Following Kenny Wheeler's career can be a knotty proposition. Born in Canada, the trumpeter/composer relocated to Britain in the 1950s, becoming an integral part of its jazz scene. He recorded for Germany's ECM Records for over two decades, including the classic Gnu High (1976) in addition to his Azimuth collaborations with pianist John Taylor and singer Norma Winstone. More recently shifting his affiliation to Italian labels including EGEA and CAM Jazz, he's focused largely on small groups, though he's made a handful of albums for larger ensembles, including Music for Large & Small Ensembles (ECM, 1990). Regardless of context, the emphasis has always been on his own inimitable writing, making Nineteen Plus One a distinct entry in his discography.

Collaborating with Italy's brass-heavy Colours Orchestra, Wheeler brings his densely modernistic harmonic approach to rearrangements of seven standards. From the brief fanfare of "Only the Lonely" to the more expansive "All or Nothing at All," "How Deep is the Ocean" and "When Your Love Has Gone"—all exceeding ten minutes, with plenty of solo space for the Orchestra as well as Wheeler—it's no surprise that, despite an unfailing allegiance to the essence of these enduring songs, they sound as if Wheeler wrote them in the first place.

As if to hammer that point home, the disc ends with Wheeler's sole original— "W.W.," from Wheeler's quintet date Double, Double You (ECM, 1984) and later reworked for larger ensembles including Finland's UMO Jazz Orchestra on One More Time (Challenge, 2000). Contrasting UMO's more left-of-center disposition, Colours is a warmer, more centrist affair, swinging amiably through this and all of Wheeler's charts, with singer Diana Torto capably handling Wheeler's melody lines, originally written for Winstone, with equal aplomb. Wheeler's writing possess a characteristic melancholy; joining this one original with his standards arrangements further clarifies the distinctive touch found in anything on which he lays his hands.



Saying that Wheeler's playing remains strong for a man in his eighties would be unfair; surrounded by a group of fine players—including conductor Massimo Morganti, who puts his baton aside for a concise, plangent trombone solo on "How Deep is the Ocean"—Wheeler's ability to weave lyrical lines with brief intervallic leaps into the stratosphere remains a stylistic touchstone few players half his age can match. Torto's lyric interpretations reference Winstone's less-is-more approach, though she demonstrates greater extremes in the thrilling duet with drummer Massimo Manzi that closes "W.W." Guitarist Luca Pecchia receives a moment in the spotlight during the intro to "I Should Care," solely supporting Torto before the ensemble enters to paint a broader palette, which in turn bolsters the guitarist's lithe solo and a particularly fluid feature from Wheeler.



The material may be familiar, but the interpretations are completely fresh. Winstone's assertion that Wheeler is "the Duke Ellington of our times" is borne out by Nineteen Plus One. Few musicians alive can be recognized for their charts after just a few notes, or are as capable of making material recorded thousands of times their own within the space of a few short bars.


Track Listing: Only the Lonely; All or Nothing at All; How Deep is the Ocean; Stella By Starlight; I Should Care; When Your Lover Has Gone; The Man I Love; W.W.

Personnel: Kenny Wheeler: trumpet, flugelhorn; Diana Torto: voice; Massimo Morganti: conductor, trombone solo (3); Simone La Maida: alto and soprano saxophones; Maurizio Moscatelli: alto saxophone; Filippo Sebastianelli: tenor saxophone; Enrico Benvenuti: tenor saxophone; Marco Postacchini: baritone saxophone; Giorgio Caselli: trumpet and flugelhorn; Luigi Faggi Grigioni: trumpet and flugelhorn; Giacomo Uncini: trumpet and flugelhorn; Samuele Garofole: trumpet and flugelhorn; Mauro Ottolini: trombone; Tony Cattano: trombone; Luca Pernici: trombone; Pierluigi Bastioli: bass trombone; Luca Pecchia: guitar; Emilio Marinelli: piano; Gabriele Pesaresi: bass; Massimo Manzi: drums.

Year Released: 2009 | Record Label: Astarte Records | Style: Big Band


Related Video

Shop

More Articles

Read Transparent Water CD/LP/Track Review Transparent Water
by Dan Bilawsky
Published: February 20, 2017
Read Billows Of Blue CD/LP/Track Review Billows Of Blue
by Dan McClenaghan
Published: February 20, 2017
Read Love Dance CD/LP/Track Review Love Dance
by Karl Ackermann
Published: February 20, 2017
Read Honest Woman CD/LP/Track Review Honest Woman
by James Nadal
Published: February 20, 2017
Read June CD/LP/Track Review June
by Karl Ackermann
Published: February 19, 2017
Read The Final Concert CD/LP/Track Review The Final Concert
by John Sharpe
Published: February 19, 2017
Read "Streams" CD/LP/Track Review Streams
by Geno Thackara
Published: September 17, 2016
Read "A Good Time Was Had By All" CD/LP/Track Review A Good Time Was Had By All
by Jack Bowers
Published: July 25, 2016
Read "Symmetry" CD/LP/Track Review Symmetry
by Edward Blanco
Published: April 22, 2016
Read "Warsaw Concert" CD/LP/Track Review Warsaw Concert
by John Sharpe
Published: December 4, 2016
Read "La Sombra" CD/LP/Track Review La Sombra
by Bruce Lindsay
Published: January 10, 2017
Read "Subterranea" CD/LP/Track Review Subterranea
by Roger Farbey
Published: October 28, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!