In the notes for one of Ellis's last recordings as a leader, I wrote:
In the 24 bars of his unaccompanied introduction to “Things Ain't What They Used to Be," Herb Ellis sketches the elements of his musicality.Harmonic sophistication Fleet execution Expression of abstract ideas in earthy language Bred-in-the-bone familiarity with the blues Distinctive Southwest twang Humor
Perfect time
When Peterson modeled his trio on Nat Cole's in 1950, he at first had Brown on bass and Cole's former guitarist irving Ashby. Then Barney Kessel signed on for a year. Ellis replaced Kessel and spent five years with Peterson. The trio became one of the most celebrated groups in jazz. Their concert recordings contain some of the most exciting music ever captured on record. Peterson, Ellis and Brown agreed that the album from the Stratford, Ontario, Shakespeare Festival in 1956 caught them at their peak. They may not have again quite reached that apogee during their time together, but they came close in this performance at the 1958 North Sea Jazz Festival in Holland. Ellis simulates bongos, solos with all of the facets listed above, and demonstrates his skill as a rhythm guitarist.
As far as Peterson was concerned, Ellis was irreplaceable. When Herb left the trio in 1958, Peterson did not consider hiring another guitatist. He brought in drummer Ed Thigpen. That was a great trio, too, but the electricity and empathy of Peterson, Ellis and Brown was unique.
You will find a trove of Ellis albums here.
