Home » Jazz Articles » Multiple Reviews » Nemu Records: Carnival Skin and Mars
Nemu Records: Carnival Skin and Mars
| |
Carnival Skin Carnival Skin Nemu 2006 | Syntopia Quartet Mars Nemu 2005 |
A European label like Nemu has the flexibility to present performers based both close by and across the pond. The only requirement, crucial for a new label, is a shared aesthetic. Not music that all sounds the same, but accomplishes similar things. Carnival Skin is a quintet of Americans except for German drummer Klaus Kugel, who is one of four Europeans in the Syntopia Quartet. Both albums are compelling, feature unusual front lines and highlight the often drastic differences between American and European jazz that no one usually wants to admit.
Carnival Skin is led by the clarinet of Perry Robinson and the trumpets of Peter Evans. Don't expect tradition though. Bruce Eisenbeil's dissonant guitar is the main mover across the six tracks. Syntopia is propelled by violin and clarinet, supported by rhythm section. Whereas Carnival is brash and outgoing, Syntopia works in a classically-inspired realm, subtle and and introverted. And as the volume of Carnival's drums and guitar forces the clarinet and trumpet into playing louder than usual, Syntopia's delicacy requires understatement from its rhythm section. The best part of each album is when Carnival achieves Syntopia-like calm and when Syntopia has Carnival-like fits and appreciating how differently each group comes to those points, the beginnings of a wonderful Nemu aesthetic.
Tracks and Personnel
Carnival Skin
Tracks: Journey to Strange; Monster; Iono; Bobosong; Diagonal People; Carnival Skin.
Personnel: Perry Robinson: clarinet; Peter Evans: trumpet; Bruce Eisenbeil: guitar; Hill Greene: bass; Klaus Kugel: drums.
Mars
Tracks: Goodbye Earth; Chryse Planitia; Tempe Terre; Elysium Planitia; Newton Basin; Chasma Boreale; Back to Earth
Personnel: Albrecht Maurer: violin, gothic fiddel; Claudio Puntin: clarinet, bass clarinet; Dieter Manderscheid: bass; Klaus Kugel: drums.
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






