Home » Jazz Articles » Album Review » Nat King Cole: Nat King Cole At The Sands
Nat King Cole: Nat King Cole At The Sands
As usual, the music includes Cole's graceful piano fills and brief keyboard solos. "Where or When" is presented as a piano feature, as are two bonus tracks (at the end), which were recorded in a studio several months earlier. The big surprise of the reissue comes in the form of another bonus trackthis one recorded that same morning at the Sands in Las Vegas: "Mr. Cole Won't Rock 'n' Roll." At the very end he adds, "I could if I wanted, though." Nat King Cole could do it all. This 8-minute medley includes a rock 'n' roll version of "Nature Boy" with altered lyrics that speak of "an enchanted cat" who said, "Come dwell in Heartbreak Hotel," and "I think, uh, Elvis was his name." The song is quite a gem, and adds immeasurably to the original recording.
The orchestra includes strings, but performs largely with a big band sound. Hence, the session swings. The emphasis for this well-preserved classic concert performance is on Cole's unforgettable vocal persona.
Track Listing
Ballerina; Funny (Not Much); The Continental; I Wish You Love; You Leave Me Breathless; Thou Swell; My Kinda Love; The Surrey With the Fringe on Top; Where or When; Miss Otis Regrets (She?s Unable to Lunch Today); Joe Turner Blues; Mr. Cole Won?t Rock ?n? Roll; In a Mellow Tone; Whatcha? Gonna Do.
Personnel
Nat King Cole
piano and vocalsNat King Cole- vocals, piano on ?Where or When,? ?In a Mellow Tone? and ?Whatcha? Gonna Do;? John Collins- guitar; Charlie Harris- bass; Lee Young- drums; Orchestra conducted by Antonio Morelli.
Album information
Title: Nat King Cole At The Sands | Year Released: 2002 | Record Label: Capitol Records
About Nat King Cole
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






