Sexmob is a band of the now: post-modern waltzes mutating into dub-echoed free jazz. Sexmob is social music: a rollicking midnight set with clatter and drinks and a band. Sexmob is a happy contradiction: an experimental jazz outfit whose music has slid readily into the mainstream via Saturday Night Live, MTV, and National Public Radio.

Dime Grind Palace is a house of deeply lasting pleasures: underground trombone legend Roswell Rudd bellowing and blowing over sweetly surprising changes. Dime Grind Palace is a house of sudden revelry: an accessible groove-etched hootenanny of frayed squawks and squeals.

The winners of two Downbeat Critics' Polls (Best Beyond Group, Best Acoustic Group) have made what bandleader and trumpeter Steven Bernstein calls his “dream record.” After four LPs focusing on the songbooks of others (including Duke Ellington and James Bond composer John Barry), the seven-year running Sexmob has turned in an album of original material in their own unique voice, the result of an ongoing dialogue between master players (saxophonist Briggan Krauss, bassist Tony Scherr, and drummer Kenny Wollesen) and a diverse palette of inspirations ranging from the Art Ensemble of Chicago to Dixieland to Little Richard. “The album is really about the evolution of the band,” Bernstein says.

I wanted to make a record for music-heads,” continues Bernstein, the man who the New York Times called a “rogue historian of jazz.” “I think everyone has a music-head inside of them,” he says. “I wanted to turn people on the way the Charlie Haden Liberation Music Orchestra record turned me on. It was real listenable, but there was all this slightly scary stuff going on there. It's not background music. And neither is this.”

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”It doesn't get earthier than Sexmob...What matters is the fact that it catches the spirit, that infectious yet elusive Sexmob vibe.” –Jazz Times

“This new project makes for a copacetic counterpart to the group's latest album, “Sex Mob Plays Fellini...” –Wall Street Journal

“Sexmob has been straddling the lines between genres for 17 years by incorporating popular tunes into instrumental jazz, and putting the emphasis on beats that move feet. Drummer Kenny Wollesen's funk rhythms, particularly of the New Orleans variety, create a party atmosphere, and Bernstein's visually striking slide trumpet doesn't hurt the hedonistic vibe that Sexmob conveys.” –

“[That spirit] – one of wailing, riotous abandon mixed with eccentric song choices, high musicianship and healthy doses of funky downtown grit – is on ample display on the group's first live recording, Meets Medeski...” –All About Jazz

“The band Sexmob specializes in a distinct strain of deconstructionist improvised music: jazz that aims at fun by bouncing off the walls.” –NPR Music

“...Steven Bernstein's Sexmob have given themselves one task: to make modern jazz fun.” –Popmatters

“...Sexmob, the pugnacious four-piece effectively led by the trumpeter Steven Bernstein...” –The New York Times



Cultural Capital

Rex Records


Cinema, Circus &...

Royal Potato Family


Sex Mob Meets Medeski

Thirsty Ear Recordings


Live In Willisau 2006

Knitting Factory Works



Thirsty Ear Recordings


Dime Grind Palace

Knitting Factory Works



From: Sexotica
By Sexmob



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