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Steve McCall

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Album Review

Marion Brown: Live in Europe 1968 & 1972

Read "Live in Europe 1968 & 1972" reviewed by Mark Corroto


There was not much room in the crowded landscape of the 1960s avant-garde for everyone to receive equal attention. Critics and listeners alike gravitated toward the towering presence of John Coltrane, whose music dominated both record sales and jazz journalism. As a result, visionary figures such as Eric Dolphy, Albert Ayler and Marion Brown often found themselves working in the margins, their contributions receiving widespread recognition only after the fact. Fortunately, their music was documented, preserved, and remains available for ...

1

Album Review

Marion Brown: Three For Shepp To Gesprachsfetzen Revisited

Read "Three For Shepp To Gesprachsfetzen Revisited" reviewed by Alberto Bazzurro


Tre brani di Marion Brown e altrettanti di Archie Shepp compongono il primo dei due album riuniti, come sempre meritoriamente, in questo CD, provenendo da quello che rappresenta il debutto dell'altosassofonista georgiano su Impulse!, inciso il 1° dicembre 1966 (dopo un paio di ESP e un Fontana) e pubblicato l'anno seguente. La stessa Impulse!, come già aveva fatto con lo stesso Shepp riferendolo a Coltrane per Four for Trane, ricicla per l'occasione la stessa formula riferendo Brown al collega di ...

14

Album Review

Marion Brown: Three For Shepp To Gesprachsfetzen Revisited

Read "Three For Shepp To Gesprachsfetzen Revisited" reviewed by Mark Corroto


It's not too late to catch up with alto saxophonist and composer Marion Brown. Thanks to this excellent reissue and remaster series, you can hear the innovative recordings from this master musician. This release follows his 1965/66 discs Capricorn Moon To Juba Lee Revisited (ezz-thetics, 2019) and 1966/67 discs Why Not? Porto Novo! Revisited (ezz-thetics, 2020). Chris May's excellent liner notes posit an answer to Brown's relative obscurity. He essentially lays the blame on marketing. Record labels and ...

3

Liner Notes

Marion Brown: Three For Shepp To Gesprachsfetzen Revisited

Read "Marion Brown: Three For Shepp To Gesprachsfetzen Revisited" reviewed by Chris May


"It is often those we hear the least that we should listen to the most." So wrote the Guadeloupean pianist Jonathan Jurion on the release of his album Le Temps Fou: The Music Of Marion Brown (Komos, 2019). Just why Marion Brown has become such a rarely acknowledged figure is unclear. He possessed all the qualifications needed to go large plus a few extras for good measure. He was a good-looking man. He dressed well (telling Dave ...

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Music

Recordings: As Leader | As Sideperson

Live in Europe 1968 &...

NoBusiness Records
2026

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Air Song

Octave Lab
1982

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Air Song

Octave Lab
1975

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