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Davis Whitfield
Ben Solomon: Echolocation
by Alberto Bazzurro
Fra cascami coltraniani, evidenti fin dalle prime note del brano iniziale (ma del resto fin dal nome dell'etichetta produttrice dell'album), e un linguaggio risciacquato anche in acque un po' più contemporanee, questo live album (incisione del dicembre 2023) del giovane tenorsassofonista (in altre occasioni anche sopranista) Ben Solomon ci offre una musica solida e ottimamente congegnata, anche se come si sarà intuito non attraversata da particolari tratti di originalità. Il sassofonista e leader del quartetto (assolutamente coeso) ...
Continue ReadingT. K. Blue: Planet Bluu
by Dan McClenaghan
Is T.K. Blue the coolest name for a jazz artist? Only “Thelonious Monk" competes in the category. Blue (aka Talib Kibue) a New Yorker of Trinidad and Jamaican descent who boasts a wide-ranging career--involvements with saxophonist Sam Rivers and pianist Randy Weston (he plays on Weston's 1991, Verve Records masterpiece, The Spirits Of Our Ancestors)--showcases a bubbling with life African vibe on his 2024 release, Planet Bluu,. In his liner notes, Blue says: “Planet Bluu lies just beyond ...
Continue ReadingDavid Gibson: Fellowship
by Dan Bilawsky
When you strip away the most obvious elements that contribute to the creation of a magical experience in this music, the one that remains is fellowship. Camaraderie between bandmates elevates a sonic endeavor like nothing else can, heightening everything for both performers and listeners, and that's a fact that's never been lost on David Gibson. The noted trombonist has long espoused the importance of musical family--something that began to resonate on an even deeper level during the pandemic--and that high ...
Continue ReadingSketches of Influence: The Grind - Sketches of Influence
by Nicholas F. Mondello
Shortly before the COVID pandemic went full force lockdown, Troy, New York drummer Joe Barna and his group, “Sketches of Influence" recorded this live album at the Middle C Jazz Club in Charlotte, North Carolina. The audience that evening was either the most polite as listeners, or, more likely they were taken up by the killer performance of this ensemble. This album verifies the latter. The performance offers six extended tracks, all Barna originals. The opener, “The ...
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