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Karla Harris
Jazz vocalist Karla Harris has made a career within the art form she loves for more than four decades, engaging audiences from Portland to Provence. Her performance credits include events such as the Sarasota Jazz Festival, Portland Jazz Festival, Oregon Coast Jazz Party, Greenville Jazz Festival, Nantucket Arts Festival, Siletz Bay Music Festival, Atlanta Jazz Party, Atlanta Jazz Festival, and a TED Talk. She has performed for the John F. Kennedy Center for the Performing Arts as part of the Arts Across America live performance series, and in 2022 was awarded a distinguished Jazz Road grant through the South Arts foundation. In addition to performing, writing and recording, Karla is an artist-in-residence with the Jazz Studies department at Kennesaw State University, teaching Applied Vocal Jazz to aspiring singers passionate about this uniquely American art form. She is a recipient of Atlanta Magazine's 2024 Women Making a Mark award in recognition of her "Jazz Discovery" educational and community outreach programs, and in 2025 was one of 29 individuals across North America named a "Jazz Hero" by the Jazz Journalists Association. Karla also is honored to be the subject of a short-form documentary by filmmaker Elisee Junior St. Preux, produced by South Fulton Arts in Atlanta.
Karla’s art lies not only in expansive vocals but also in tapping into the emotion of a tune and delivering it fully. Bringing dynamic diversity and sophisticated nuance to the music, she remains respectful of a song’s roots. “She lends her pulse to be a part of the heartbeat of the entire process, vocals and instrumentals,” writes AXS.com, “and the strange meandering force that lies between.” Critical Jazz says, “Rich, full-bodied and with a slight buttery finish, Karla Harris has mad skills – a vocal artist with impeccable phrasing and the innate gift to have the band play with and not around her.”
Karla’s love for singing started first with a love for words and the power of their expression. As a young girl growing up in the suburbs west of St. Louis, she often would spend Saturday mornings writing little stories. Many afternoons would find her listening to favorites in her parents' eclectic album collection, singing along. Attracted to the stories told, she transcribed lyrics sung by Nancy Wilson, Billie Holiday, Barbra Streisand, Sammy Davis Jr., the Fifth Dimension, Aretha Franklin, and more. At family gatherings, she and her cousin put on shows. Her first taste of performing for a “real” audience came at age 10, when she sang a solo during a grade-school choral concert.
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Karla Harris: Merge

by Neil Duggan
With the release of Merge, Karla Harris' fifth album, the vocalist refines her sophisticated blend of traditional and contemporary jazz. She follows the time-honored jazz tradition of reimagining familiar standards, complemented by three original compositions that showcase her strength as a songwriter. What distinguishes Merge beyond Harris' superb vocal artistry is the creative space afforded to her collaborators to explore, improvise and weave their individual voices into the arrangements. Those arrangements, created by Harris and co-producer/pianist Tyrone Jackson, ...
Continue ReadingProfessor Aucoin & the Jazz Scientists: Mystified

by Jack Bowers
There is a heap of soul, blues, rock, funk and heart on Professor Tim Aucoin's album, Mystified. On the other hand, the jazz content is in rather short supply. The Jazz Scientists are good at what they do, but what they do is more akin to a nightclub act than a jazz performance, at times reminiscent of Sam Butera and the Witnesses but without the luminous personas of Louis Prima and Keely Smith to raise them above the norm. Aucoin ...
Continue ReadingHonoring the Brubeck jazz legacy in her own sweet way

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Ken Franckling's Jazz Notes
Singer Karla Harris celebrated the teamwork of Dave and Iola Brubeck on Friday, March 6 at the 35th annual Sarasota Jazz Festival. Few going into the concert may have been aware of the extent of Iola Brubeck's impact on her pianist husband's career, but they left with a much deeper understanding, thanks to Atlanta-based Harris' brief but insightful song introductions. Iola was Dave's early manager and came up with the jazz goes to college concept in the 1950s that helped ...
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- Vocalist Karla Harris tends to take the stage by storm and doesn’t let go till it’s all over.” – Clubscene
- “Always respectful of her American Songbook choices, Harris has superb intonation and a contemporary, appealing approach to the songs.” – Jazz Scene Magazine
- “…Give her a microphone and you’ll understand the meaning of jazz. One minute, her clean, beautiful vocals on a timeless standard wash over you, and then she cold-cocks you with a blues number that’ll stick to your ribs.” – John Baum, Atlanta Journal Constitution