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Matt Dwonszyk

Born in Hartford, CT, Dwonszyk started playing the electric bass at age eleven. His journey into the world of jazz began at the Greater Hartford Academy of the Arts High School where he began playing the upright bass. He also started attending the Artists Collective after school program playing in the Youth Jazz Orchestra. The Artist Collective, founded by jazz saxophone legend Jackie McLean, propelled Dwonszyk to continue his studies at the The Jackie McLean Institute of Jazz at The University of Hartford.

Dwonszyk quickly developed an exceptionally strong rapport with Professor Nat Reeves and Professor Steve Davis. Reeves instilled a strong sense of swing, conviction and vocabulary upon Dwonszyk while Davis would hire Dwonszyk for gigs at local venues around the Hartford area. This schooling inside and outside of the classroom helped Dwonszyk become one of the top call bassist in Connecticut.

After graduating with a Bachelor’s of Music in Jazz Studies in 2013, Dwonszyk went on to obtain a Master’s of Music at SUNY Purchase College in New York where he studied with Professor's Todd Coolman, Doug Weiss, John Faddis and John Abercrombie. With the SUNY Purchase Big Band, Dwonszyk performed at the Blue Note featuring Terell Stafford and at Dizzy's Club Coca Cola featuring Steve Turee. Dwonszyk would soon become a resident of Brooklyn, NY performing in some of New York's top jazz venues including Smalls, Smoke, Minton’s, Zinc Bar, Birdland and the Jazz Standard.

​In 2015, Dwonszyk was accepted into the Bosyie Lowery Jazz Living Residency for his original compositions and was awarded in Down Beat Magazine for his arrangement of the jazz classic, “What A Wonderful World”. In 2018, Dwonszyk went on to record his debut record as a leader, entitled "Wonderful World", featuring the awarded arrangement as well as nine of his original compositions. He continues to perform and record with his group the "Dwonztet".

In 2018, Dwonszyk toured through Russia apart of the Rainy Days Jazz Festival and in 2019 he toured through Canada with the Oleg Butman Trio. His last tour was in 2020 with Jonathan Barber and Vision Ahead through the West Coast of the U.S. Dwonszyk has performed at many well known festivals including the NYC Winter Jazz Festival, BRIC Jazz festival, Clifford Brown Festival, JVC Jazz Festival, the Jazz & Colors Festival at the Metropolitan Museum of Art, D.C Jazz Festival, the Kennedy Center, Ottawa Jazz Festival, Saskatoon Jazz Festival, Edmonton Jazz Festival, Litchfield Jazz Festival, Hartford Jazz Festival, Hartford Baby Grand Jazz Series, New Haven Jazz Festival and the Baikal Jazz Festival in Yakutsk, Siberia.

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8
Album Review

Matt Dwonszyk: Donny Time: The Music of Don DePalma

Read "Donny Time: The Music of Don DePalma" reviewed by Edward Blanco


Bassist, composer and educator Matt Dwonszyk, based in New York City since 2023, is actually from Rocky Hill, Connecticut, and for some time was part of the Hartford jazz scene, where he taught and performed with the late pianist and educator Don DePalma. DePalma was a legend of that scene, playing a vital role in its development and becoming a co-founder of the legendary 880 Club. Dwonszyk and friends pay tribute to DePalma on the outstanding Donny Time: The Music ...

Album Review

Julieta Eugenio: Stay

Read "Stay" reviewed by Angelo Leonardi


Dopo la cilena Melissa Aldana, s'impone a New York un'altra giovane sassofonista sudamericana, l'argentina Julieta Eugenio, di un anno e qualche mese più giovane. Come già fece Melissa nel 2010 con l'album Free Fall anche Julieta ha debuttato con un pianoless trio (Jump, Greenleaf 2022), organico che ora ripropone con gli stessi partner, il contrabbassista Matt Dwonszyk e il batterista Jonathan Barber. In due brani dell'album, Leo Genovese si aggiunge al Fender Rhodes. Gli ...

9
Album Review

Julieta Eugenio: Stay

Read "Stay" reviewed by Dan McClenaghan


Argentina-born saxophonist Julieta Eugenio takes four breaths ("Breaths" I through IV), that she calls “short, intimate moments," in her ongoing endeavors in this (mostly) trio-format album. The saxophone, bass and drums setup is one of the most intimate. Think Sonny Rollins in Way Out West (Contemporary, 1957) and A Night At The Village Vanguard (Blue Note, 1958), a pair of uncluttered, groundbreaking, chordless outings that stand up as classics of the format. Eugenio has proven herself marvelously ...

3
Album Review

Julieta Eugenio: Jump

Read "Jump" reviewed by Hrayr Attarian


Listening to saxophonist Julieta Eugenio on the engaging Jump it is hard to believe this is only her debut. Her confident playing, warm, brassy tone and intelligent, spontaneous ideas belie her relative youth. Eugenio penned most of the music on Jump, so the release also showcases her superlative compositional skills. The poetic, loose-knit originals are perfectly suited to a trio with ample room for both individual expressions and collective performances. The taut and intriguing “Efes" opens the album ...

6
Album Review

Julieta Eugenio: Jump

Read "Jump" reviewed by Dan McClenaghan


Aspiring jazz artists who pull up roots and make the “jump" to New York City have a lot of backbone. The uncertainty involved in the attempt to elbow into a hyper competitive situation which can boost a career must make for sleepless nights. For non-Americans, dealing with culture shock and struggling with the English language, things are even more challenging. But, in 2013, saxophonist Julieta Eugenio was undeterred, leaving her home in Argentina to make the pilgrimage that thousands have ...

1
Album Review

Jonathan Barber & Vision Ahead: Legacy Holder

Read "Legacy Holder" reviewed by Dan Bilawsky


Drummer Jonathan Barber's Legacy Holder is a musical missive acknowledging the history that flows before and beyond his time, the ethos of the present, and a need to bind these streams into a single/singular statement or groundwork for himself and those who will follow. It is an album built on intellect, understanding, intuition and, perhaps most importantly, respect—for culture, curiosity, a capacity to love and do what's right, and the need to change. Leading Vision Ahead—an aptly ...

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5
Recording

Donny Time: The Music Of Don DePalma - September 27th Release!

Donny Time: The Music Of Don DePalma - September 27th Release!

Source: Scott Thompson Public Relations

Donny Time: The Music of Don DePalma is a tribute album shining light on the legendary pianist from Hartford, Connecticut. The majority of the album was recorded after Don’s passing due to Covid in May of 2021. It features an all-star line up, all former band mates of Don, playing their hearts out on Don’s original compositions and arrangements. The world-renowned trombonist Steve Davis, legendary vocalist Linda Ransom and saxophone extraordinaire Kris Jensen all tip their hats to the maestro ...

6
Recording

Seasoned Bassist Matt Dwonszyk Releases 'A Year And A Day' on July 1—Notes By Steve Davis

Seasoned Bassist Matt Dwonszyk Releases 'A Year And A Day' on July 1—Notes By Steve Davis

Source: Scott Thompson Public Relations

Matt Dwonszyk is an accomplished bassist, composer, arranger and educator from Rocky Hill, CT. Dwonszyk graduated from the Jackie McLean Institute of Jazz studying under his mentor and world-renowned bassist, Nat Reeves and then went on to receive his Masters degree from SUNY Purchase College. Based in Brooklyn, NY since 2015, Dwonszyk still frequents back home to Connecticut to perform and teach. Throughout his career, Dwonszyk has performed and recorded with numerous contemporaries as well as legendary jazz artists including ...

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Concerts

Music

Recordings: As Leader | As Sideperson

The Complete Public...

Self Produced
2025

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Stay

Cristalyn Records
2024

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Donny Time: The Music...

Truth Revolution Recording Collective
2024

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Donny Time: The Music...

Truth Revolution Recording Collective
2024

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Chasing Light

MBR Classics
2024

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Remote (WPAA TV Session)

From: Public Access: WPAA TV Session
By Matt Dwonszyk

Peaceful World

From: A Year And A Day
By Matt Dwonszyk

Tessellations

From: Tessellations
By Matt Dwonszyk

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