Gio Guido Musician - All About Jazz

Updated: December 13, 2025

Born: February 17, 1969

Gio Guido is an Italian guitarist and composer, born in Naples and based in Tokyo. Renowned for his expressive playing, technical innovation, and genre-crossing versatility, Gio has built a distinguished international career spanning jazz, funk, cinematic music, and classical guitar.

After graduating from the Guildhall School of Music & Drama in London in 1991, he joined The Jazz Crusaders in 1994. During his tenure, Gio performed at major international festivals and recorded two albums—Sketches of Life and Break’n da Rules. These formative years exposed him to global audiences and collaborations with top-tier musicians.

In 2000, he won First Prize at the Monte Carlo International Jazz Soloist Competition, returning the following year as a jury member. He has since performed and recorded with legendary artists including Patti Austin, Bobby Caldwell, Ronnie Laws, Bobby Lyle, Angela Bofill, Vincent Herring, Linley Marthe, and others—building a reputation as a guitarist of rare precision, taste, and fire.

A lifelong innovator, Gio developed the Up & Down Fingerstyle technique: a right-hand approach using alternating strokes from the index, middle, and ring fingers to articulate fast, fluid single-note lines—without the need for a pick. His method was featured in Guitar World (July 2023), praised for bringing new expressive possibilities to jazz and fusion guitar.

In 2024, Gio’s technique received international recognition from Carlos Reyes, founder of the Escuela Internacional de la Guitarra Plectrodedo (International School of Plectrodedo Guitar), who endorsed his fingerstyle as a unique contribution to the up-and-down fingerpicking movement known as plectrodedo. Master Reyes acknowledged Gio’s approach as an innovative and valuable method for single-note expression—placing it within the broader evolution of modern fingerstyle guitar.

Now performing regularly in Japan, Gio Guido continues to expand the expressive range of the guitar—bridging classical discipline, jazz freedom, and cutting-edge technique in every performance.

Gio Guido is also deeply engaged in extemporaneous composition—a live creative practice in which fully formed pieces are composed and performed in real time. These performances are not improvisations in the conventional sense, but spontaneous compositions shaped by structure, narrative flow, and long-form development. Drawing on his background in jazz, classical music, and his proprietary Up & Down Fingerstyle technique, Guido treats the moment itself as the compositional space, allowing each performance to exist as a unique, unrepeatable work. This approach reflects his belief that composition is not confined to the written page, but can emerge with clarity and intention in the present tense.

Awards

On June 10, 2000, Giovan Guido was Awarded by unanimous vote FIRST PRIZE for best soloist at the Internally acclaimed jazz competition called International Contest of Jazz Soloists in Monaco (FR).

Gio Guido Introduces Extemporaneous Compositions: A New Real-time Solo Guitar Language

Source: Gio Guido
December 14, 2025

Italian guitarist and composer Gio Guido, currently based in Japan, announces the launch of a groundbreaking new artistic project: Extemporaneous Compositions, a live performance series in which every piece is composed and performed simultaneously in real time. The series premieres on December 14, 2025, with additional live broadcasts on December 19 and December 28 at 8 p.m. (JST) on YouTube. For Gio, this project represents the most significant artistic breakthrough of his musical life—the result of a research path that ...
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Giovanni Guido is an outstanding Jazz Guitarist. I have performed with him for approximately 5 years and can personally attest to his outstanding abilities as a Jazz Guitarist. Giovanni is an extraordinary talent.

Wayne Henderson, Founder of the Jazz Crusaders

Artist: Giovanni Guido
Album title: Guitar Master
Reviewed by: Michael Diamond
Review title: Fretboard Virtuosity
Rating: 5 stars (out of 5)

Review Summary:
While finger-style guitar, which doesn’t use a pick, is certainly not uncommon in classical, folk, flamenco, and other musical genres, rarely if ever has anyone used this technique in jazz with such speed and dexterity as Giovanni. One thing I was repeatedly struck by while listening to this album was the incredible contrast between the intensity and awesome power of the playing and the soft warmth of the nylon string guitars’ timbre. Giovanni’s flying fingers and furious fretwork evoke a sound seldom heard before on this instrument to this degree. Impressive, to say the least!

Wayne Henderson, Founder of the Jazz Crusaders

Artist: Giovanni Guido
Album title: Guitar Master
Reviewed by: Michael Diamond
Review title: Fretboard Virtuosity
Rating: 5 stars (out of 5)

Review Summary:
While finger-style guitar, which doesn’t use a pick, is certainly not uncommon in classical, folk, flamenco, and other musical genres, rarely if ever has anyone used this technique in jazz with such speed and dexterity as Giovanni. One thing I was repeatedly struck by while listening to this album was the incredible contrast between the intensity and awesome power of the playing and the soft warmth of the nylon string guitars’ timbre. Giovanni’s flying fingers and furious fretwork evoke a sound seldom heard before on this instrument to this degree. Impressive, to say the least!

Review:
Laying claim to the title of “the world’s fastest finger-style jazz guitarist” is a bold declaration, and one best when backed up by the chops. After hearing Giovanni Guido’s Guitar Master album, I’m a believer he has a right to that superlative distinction. I was grateful that there were video clips of him in action on his website, so that I could vouch for the fact that this music is indeed the result of his talents rather than studio wizardry or enhancements. In addition to his technical virtuosity, some of the innovations he brings are his choice of instrument and the way he plays it. The nylon stringed classical guitar is not as often found in a jazz context. A small number of artists such as Charlie Byrd and Earl Klugh have used it that way, but they are few and far between.

And while finger-style guitar, which doesn’t use a pick, is certainly not uncommon in classical, folk, flamenco, and other musical genres, rarely if ever has anyone used this technique in jazz with such speed and dexterity as Giovanni. One of his influences in this particular style is Paco De Lucia, possibly the world’s greatest flamenco guitarist. Listeners who enjoy Paco’s solo work will find a lot to like in Guitar Master.

Giovanni, who was born in Naples, Italy, started his love affair with the guitar at the tender age of eight years old. He continued on with it, eventually graduating from the Guildhall School Of Music And Drama in London and later studied at the Guitar Institute in Hollywood, California. Fate led to a connection with the famed and highly regarded group The Jazz Crusaders, which he became a permanent member of and toured the world with for five years. These and many other experiences and international awards have led him to this, his first full-length CD featuring his must-be-heard-to-be-believed guitar work.

Guitar Master features seventeen songs that include five jazz standards and twelve original tunes, with some of them being totally improvised. From the first cascading flow of notes on the opening track entitled “All The Things You Are,” the justification for the album’s title begins to become apparent. The CD continues with “Whirlwind,” which lives up to its name with its fast-paced playing that blows through like a summer storm. The pace slows down with the lovely and enchanting “Alice In Wonderland” and shows a more sensitive side to Giovanni’s guitar spectrum.

Showcasing another facet of this diverse musical jewel is the tune “Blues Kas,” which reflects elements of blues, funk, and jazz. Virtuosity combines with passion on “Latin Mood” and highlights the mastery of Giovanni’s playing. An unexpected surprise greeted me on the opening of “Wu Shu” that kicked off with the kind of rapid-fire percussive slapping of the strings that is often used by funk bass players.

One of my favorite tunes on the CD was the sweetly flowing “Kimochii Dance,” which is vaguely reminiscent of guitarist Pat Metheny. Also among the standouts is “Les Amants,” reflective of the aforementioned softer side of his guitar playing and gave me a much-needed moment to pick my jaw up off the floor and melt into one of the most tender and touching songs on the album.

Guitar Master closes with “7 Maggio,” the only song on the CD that is not solo guitar. Accompanying Giovanni is Linley Marthe on bass, pianist Mario Canonge, and Francis Lassus on drums. It was appropriate to save this for last, serving as a grand finale as well as giving a brief taste of Giovanni in an ensemble setting.

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