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Hazel Leach
Born in Tynemouth, Northumberland in 1956. Having studied at the Newcastle School of Music (classical & light music) she spent the next few years working as a free-lance musician/arranger, playing flute and saxophone.
The move to Holland came in 1979, where she studied for several years at the Muziek Pedagogische Akademie in Leeuwarden with Henk Alkema and Hiepko de Boer. From 1985-2010 she was a lecturer in music at the Arnhem Conservatorium, teaching arranging, songwriting and a wide range of jazz theory-related subjects.
From 1992-2009 she was bandleader and composer for The United Women’s Orchestra, an international big band based in Germany. With the UWO she has produced 3 CDs, and several of her pieces for concert bigband have won international awards: in 1998 "Á la Mode" was awarded a "Menzione Speciale" in the "Scrivere in Jazz" composition concours in Sardinia, “Mabel's Birthday” was a prizewinner in the Hemphill Awards 2000 (Jazz Composers Alliance, USA) and "Cerasarda" was awarded the 1st prize during "Scrivere in Jazz" 2000.
In 2002 she was resident composer at the Omi International Music Residency in New York, USA, following it up as Curator in 2005, also guesting as lecturer at the Harvard & Columbia Universities and giving workshops & performances with the Seattle Women's Jazz Orchestra (SWOJO) in Seattle. In 2006 she was invited as ‘Artist-in-residence’ to the Berklee College of Music in Boston USA.
In 2009/2010 she was composer for the award-winning “Paradies 2” project, organised by the IBA (Internationale Bauausstellung) in Germany, writing music for, with and about a village: “Das Geheimnis von Schlabendorf” was a huge project, setting the social history of the village to music and involving more than 120 players and performers.
A set of 8 songs entitled "Songs from the Edge", recorded in 2010 by the German/Dutch quartet "Plots", featuring vocalist Simin Tander.
A more recent project is the “Friedenssinfonie: Dona nobis pacem”, a 4-movement symphony written in 2014 for young german and polish players.
She has been the artistic director of the Composers’ Orchestra Berlin since autumn 2010, with 7 CD-releases so far, and the “Cobblestones’ Festival in Berlin in 2016.
Hazel Leach is a prolific composer in a wide variety of forms. Much of her music has been written to commission and includes music for choir, chamber ensembles, orchestra and bigband.
Awards
2011: The “Paradies 2” project, for the music for “Das Geheimnis von Schlabendorf”, was awarded the prestigious BKM-Kulturelle Bildungspreis 2011 (Germany).
2000: “Mabel's Birthday” was a prizewinner in the Hemphill Awards 2000 (Jazz Composers Alliance, USA)
2000: "Cerasarda" is a piece for bigband, inspired by Sardinian folk music. Winner of the 1st prize in "Scrivere in Jazz" composition concours in Sardinia.
1998: The piece "Á la Mode" was awarded a "Menzione Speciale" in the "Scrivere in Jazz" concours.
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The Composers' Orchestra Berlin: Holding Pattern
by Jack Bowers
Holding Pattern is the fourth album by The Composers' Orchestra Berlin, which, as the name denotes, is an ensemble wherein the members of the orchestra are not only improvising instrumentalists but are also the composers." Every one of its ten selections was written and arranged by members of the ensemble. According to the jacket notes, there is no fixed line-up; the composers can select instruments from the pool [of twenty-three musicians] to develop a brand-new...orchestral repertoire with stylistic influences ranging ...
Continue ReadingHazel Leach / Composers' Orchestra Berlin: Postcard Collection
by Jack Bowers
These picturesque postcards" from composer / arranger Hazel Leach's well-appointed Composers' Orchestra Berlin are addressed to various locales in Europe and South America, presumably designed to echo musically the special nature of each site. Oddly enough, as there are only eight cards to be delivered, the album opens with Postcards 10 and 11, aimed at Caracas, Venezuela, and Tucuman, Argentina, respectively. There's a Postcard 9 as well, directed to Kalavrita, Greece, and one unnumbered memo, Postcard aus Schlabendorf am See," ...
Continue ReadingFree Range Music
by Jack Bowers
Hazel Leach has had quite a musical career. After college, where she studied classical flute as well as jazz / pop saxophone, the Englishwoman spent a number of years as a freelance musician / arranger before moving to Holland in 1979. Six years later she was named lecturer in music at the Arnheim Conservatoire, and in 1992 she co-founded the United Women's Orchestra with friend and colleague Christina Fuchs. The UWO lasted until 2009, after which Leach (who meanwhile had ...
Continue ReadingSWOJO Plays the Music of Hazel Leach, August 25, The Triple Door Mainstage
Source:
All About Jazz
FOR IMMEDIATE RELEASE July 28, 2005 SEATTLE WOMEN’S JAZZ ORCHESTRA (SWOJO) Plays the Music of Hazel Leach Thursday, August 25 at 7:30pm The Seattle Women's Jazz Orchestra (SWOJO) will perform an all-ages concert at the Triple Door Mainstage on Thursday, August 25, featuring music composed, arranged and conducted by Hazel Leach. Hazel Leach was born in Newcastle-upon-Tyne, England. Having completed her studies ...
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... The compositions are richly textured and absorbing tone poems, unsparingly swathed in polyrhythms and counterpoint... Leach knows how to enwrap an orchestra in sumptuous finery, and the ensemble passages are consistently engaging.
Allaboutjazz.com, Jack Bowers
... Closely-voiced horns and rhythmic shifts generate a mood seldom produced by large ensembles. Hazel Leach ... has a magnificent facility for composing music which beguiles the listener with a light elegance, despite its complexity. She takes you on a wonderful tonal journey and will certainly cause goose-pimples to break out.… The whole production has a particular charm, lying somewhere between Gil Evans, Kenny Wheeler and European folklore and yet is absolutely distinctive. United Jazz Society (D) Peter Brand



