The Piano Prince.
As a piano player from New Orleans, he has no peers,though there is legion of those who have tried to imitate, duplicate and emulate his phenomenal approach on the keys.
James Carroll Booker III was born in New Orleans on December 17, 1939, son of a minister, who played piano. It was his sister’s music teacher who taught him piano scales and to read music. He was known for his musical gifts at an early age, and was considered a piano prodigy, giving classical recitals at age six, and continued classical training until twelve. He was acknowledged to have perfect pitch, instant musical recall, and a photographic memory in sight reading. He was playing Chopin, Erroll Garner, and Liberace, and could play their solos from memory. He would sneak out and play boogie woogie, and also learned local music from Tuts Washington, a family friend.
His sister took him along to her gospel show on WMRY in New Orleans, and he so impressed the staff at an audition, that he had his own show on Saturday afternoon at age eleven, playing blues and gospel piano. He would remain there for a few years even putting a band together, Booker Boy and the Rhythmaires.
By age of fourteen he auditioned for Dave Barthololmew at Imperial Records, where he cut a couple of sides as Little Booker. The records didn’t do much but Bartholomew recognized his talent for imitating any style, so he hired him as studio pianist to fill in and overdub piano parts, which he did for Fats Domino.
He would amass quite a long list of credentials in the recording and touring categories with a variety of artists. These would include between the years of 1956 to 1960 sessions and tours with Amos Milburn, Joe Tex, Shirley and Lee, Huey Smith, Dee Clarke, Earl King, Bobby Blue Bland, Junior Parker, and Smiley Lewis. In 1961 he recorded “Gonzo” which became a local hit, and is his cult classic. Then it was back on the road and in studios with B.B. King, Little Richard, Lloyd Price, and Wilson Pickett. There is a grey area in the mid sixties when he did time at Angola State Penitentiary, then returned to New Orleans to play in the local bars and clubs. He would reemerge again in 1968 doing the piano work on “Fat’s Is Back” for Fats Domino, and would continue to work and record for the next several years with Freddie King, King Curtis, Aretha Franklin, T Bone Walker, Ringo Starr, Maria and Geoff Muldaur, Labelle, and John Mayall.