Frank Macchia

Born and raised in San Francisco, CA., Frank started on the clarinet at the age of ten years old. Soon afterward he began studies on bassoon, saxophone and flute. By the age of fourteen he began studying composition, writing jazz and classical pieces for his high school band and orchestra and for jazz ensembles that rehearsed at the local union hall, including trumpeter Mike Vax's Big Band.

In 1975-76 Frank wrote jazz/classical hybrid works that were performed by the San Francisco Symphony and local professional jazz musicians at the Summer Music Workshop Programs, and he composed and conducted an orchestral overture for his high school graduation ceremony. During this time period he also performed and arranged music for contemporary dance bands in the Bay Area.

In 1976 Frank attended Berklee College of Music, studying woodwinds with Joseph Viola, Joe Allard, Steve Grossman and composition/arranging with Herb Pomeroy, Phil Wilson, Greg Hopkins, Tony Texiera, and Ken Pullig. From 1976-80 he performed and composed for the top student ensembles as well as performing with his own ensembles. He received a National Endowment Grant for the Arts to compose a 90 minute continuous jazz/ classical suite for large ensemble. He also won Down Beat magazine's DB award for original big band composition in 1979.

After graduating with a degree in traditional composition, Frank taught at Berklee at the tender age of 20, as well as performed throughout the New England area with his 8-piece fusion group, 'Booga-Booga'. In 1981 Frank moved back to the San Francisco area where he continued working as a musician and composer/arranger over the next ten years, performing concerts with such artists as Ella Fitzgerald, Rita Moreno, Tony Bennett, Jack Jones, Clare Fischer, Chuck Mangione, and the Temptations, to name a few. He performed with local groups such as The Bay Area Jazz Composers Orchestra, Mike Vax's Great American Jazz Band, Royal Street, the Dick Bright Orchestra and the Melotones. He also led his own original groups, including The Gleets, Desperate Character and The Frankie Maximum Band. In 1989 he recorded Introducing Frankie Maximum, an eclectic CD that showcased original material in a variety of styles, from new wave to polka. He followed that with the CD Frankie Maximum Goes Way-er Out West, a wild romp through traditional cowboy folksongs, done with new treatments (Ringo as a hip-hop jazz tune!?). This 1991 album received much critical praise including being named one of the top ten albums of the year by the Oakland Tribune

In 1991 Frank toured Germany performing in productions of West Side Story and 42nd Street, and when that tour was over, he found himself in Los Angeles, where he has remained ever since. Since 1992 he has worked as a composer/orchestrator on many films and television projects, including Superman Returns, Pirates of the Carribean 3, Fantastic Four-Rise of the Silver Surfer, Transformers, Miracle, X2-Xmen United, Men of Honor, Eight Legged Freaks, Ghosts of the Abyss, Austin Powers:Goldmember, The Contender, The Apt Pupil, Santa Clause 2, and television shows Night Visions, Nickelodeon's Oh Yeah Cartoons, Disney's Oliver Twist, and the Tonight Show, as a staff arranger. From 1997-2001 he created "Little Evil Things", an award winning series of five CDs of horror stories with music accompaniment.

In 2003 he completed his CD, The Galapagos Suite, a six movement suite based on the animals of the Galapagos Islands, where he and his wife Tracy visited. His next CD, "Animals" was released in Fall 2004, featuring Frank on multi-woodwinds and a roster of some of Los Angeles best musicians. His follow up CD called "Mo' Animals" was released in 2006. He released the CD "Emotions" featuring The Prague Orchestra in January 2007 which received a Grammy nomination for Best Arrangement (for "Black Is the Color..."), and a Blue Chip Award from Dr. Herb Wong for "best of" jazz and released a follow up CD with the Prague Orchestra entitled "Landscapes", which also garnered a Grammy nomination for Best Instrumental Arrangement for "Down In the Valley". His 2009 project "Saxolollapalooza" is for six saxophonists and drums and features Eric Mareinthal, Bob Sheppard, Gene Cipriano, Sal Lozano, Jay Mason and Peter Erskine on drums. In January 2010 he released the CD "Folk Songs for Jazzers" featuring an all star 13 piece band featuring Wayne Bergeron, Peter Erskine, Ray Frisby, Grant Geissman, Trey Henry, Alex Iles, Sal Lozano, Jay Mason, Kevin Porter, Bill Reichenbach, Bob Sheppard and also features guest vocalists Tierney Sutton and Ellis Hall. That CD garnered Frank his third Grammy nomination. The band performs crazed re-imaginings of traditional folk songs in funk, swing, fusion, latin, odd-metered and ballad jazz styles. In 2011 he released "SON of Folk Songs for Jazzers" featuring the same personnel as the last CD with 12 new original arrangements of more wild 'n crazy folk songs. In 2012/2013 Macchia released two CDs of his original Funk/Jazz/New Orleans styled music called "Swamp Thang" and "Fried Zombie Stew", featuring Eric Jensen and Ken Rosser on guitars, John Rosenberg on keyboards, Tom Lockett on bass, Frank Briggs on drums with guest appearances by Wayne Bergeron (trumpet) and Alex Iles (trombone), with Macchia on saxes and woodwinds. In Jan 2014 Frank had a new large ensemble release "Grease Mechanix" featuring Eric Marienthal, Brandon Fields, Bob Sheppard, Macchia, Sal Lozano, Jay Mason on reeds, Wayne Bergeron, Dan Fornero, Walt Fowler on trumpets, Alex Iles, Kevin Porter, Craig Gosnell on trombones, Bill Reichenbach on tuba, Ken Rosser on ele. guitar, Peter Erskine on drums and Brad Dutz on percussion. The concept of this CD is like a New Orleans Brass Band meets Tower of Power and Frank Zappa. The album also features some vocals by Macchia.

After a break from composing and producing projects for a few years Frank is back in November 2018 with a new album and a new concept: "Rhythm Kaleidoscope" which he created with drummer/percussionist Brock Avery. Brock created and recorded a series of improvised drum solos which Frank then took and composed stream-of-consciousness compositions using a variety of compositional techniques and arranging for a massive group of up to 50 woodwinds and saxophones plus keyboards, mallets, brass and strings. Also featured are Alex Iles on trombone, Eric Jensen on guitar and Stefanie Fife on cello. This is a sonic adventure with dense voicings and wild deep rhythms! Available on Bandcamp.com, CDBaby.com as well as iTunes and Amazon Music.

Frank will release a series of three EPs in 2020, more wild experimental jazz compositions composed to drummer Brock Avery's improvised drum solos, entitled "Rhythm Abstraction: Azure". This first volume will be released on January 21, 2020 and will be followed with "Rhythm Abstraction: Gold" in April 2020 and "Rhythm Abstraction: Ruby" in July 2020.

During the pandemic of 2020 Frank worked from his home studio to create "Songs For Tracy", a new 11 song album of compositions for voice and orchestra featuring his wife, vocalist Tracy London, in his eclectic style of jazz fusion.

Frank currently lives in Burbank, CA with his wife Tracy and son Charlie.

Awards

1979- Down Beat DB Award (2nd place) "March of the Gargoyles"
1981- National Endowment for the Arts Grant- for jazz composition
1997- Publisher's Weekly "Listen Up" Award
2004 Sundance Film Composer Fellow
2007- Blue Chip Award- best Jazz of 2007 from Dr. Herb Wong
2007 Grammy Nomination - Best Instrumental Arrangement for "Black Is the Color Of My True Love's Hair"
2008 Grammy Nomination - Best Instrumental Arrangement for "Down In the Valley"
2010 Grammy Nomination - Best Instrumental Arrangement for "Skip to My Lou"
2010 JazzTimes Critics Best of 2010- "Folk Songs for Jazzers"
2010 Down Beat Top CDs of 2010- "Folk Songs for Jazzers"

Gear

Endorser for Alexander Reeds Plays Selmer Saxophones Haynes Flute Hogenhuis Contrabass Flute Selmer/Yamaha/Leblanc Clarinets