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Richard Pinhas - Barry Cleveland: Mu
ByThe frontline reaps the benefits of having bass legend Michael Manring laying out a thumping and pumping bottom end via his slinky and fluid notes, complemented by drummer Celso Alberti's multi-purposed attack. Similes of a scenic tour into a Black Hole star with grooving pulses come to mind. Hence, the guitarists' streaming and phase shifting notes and the rhythm section's undulating cadences along with melodic overtones and ghostly apparitions are other sensations that prevail throughout the production.
Think of space rock with a college education as the band paints a dexterous, intertwining sonic-scape from start to finish. On "I Wish I Could Talk in Technicolor," Cleveland and Pinhas' penetrating sustain driven leads stretch out through the cosmos as Alberti picks up the pace atop Manring's elongated notes. Moreover, swishing guitars and intense EFX treatments give way to some electro jazz improv during the bridge, where the bassist and drummer go to battle, which to some extent continues during "Zen/Unzen," as the band steadily raises the pitch and broadens the playing field. The album's finale is "Parting Waves," and is constructed like an epilogue that flourishes amid a low mix of what sounds like an elderly man talking in the background, perhaps implicating that the interstellar space flight has achieved its mission or whatever imagery your mind's eye may disclose. (Recommended...)
Track Listing
Forgotten Man; I Wish I Could Talk in Technicolor; Zen/Unzen; Parting Waves.
Personnel
Barry Cleveland: guitar, Moog guitar, bowed guitar, bowhammer guitar, EBow guitar, sitar guitar, M-Tron, Vocallizer 1000, kalimba, zither, gong, incidental percussion, percussion programming, samples; Richard Pinhas: guitar, guitar synthesizer, Metatronics; Michael Manring: bass, EBow bass; Celso Alberti: drums, electronic drums, percussion.
Album information
Title: Mu | Year Released: 2016 | Record Label: Cuneiform Records
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