Home » Jazz Articles » Album Review » Noodle Shop: Moon Dog Girl

Noodle Shop: Moon Dog Girl

By AAJ Staff
March 1, 2000
View read count

Out of the creative firestorm of avant-garde music in New York comes Noodle Shop, an impromptu quartet consisting of Elliott Sharp, John Kruth, Jonathan Segel, and Atilla Engin. Their debut recording, which was recorded shortly after the death of the idiosyncratic blind multi-instrumentalist Moondog, spans the range from funk to free jazz with many stops in between.

The idea here, as far as I can tell, is to leave no stone unturned in their musical journey. Swirling mists of free jazz clarify into deep grooves with an improvisatory edge. A generous helping of Middle Eastern and African influence leaps out of the mix (including an acknowledged debt to the master musicians of Jajouka). Though not without due attention to structure and form, Moon Dog Girl experiments quite creatively with style and instrumentation. Fresh is the operative word. For the open-minded, this recording is guaranteed to satisfy.

Track Listing

Leopold in Mali; Old World Kraftsmanship; Every Pregnant Woman's Worst Nightmare; Moondog's Blues; Medley: Distressed Passenger / Like Walkin' on Your Nose / Old World Kraftsmanship Part 2: Songs My Grandmother Taught Me; Medley: I Wasn't Aware That I Wasn't Awake / The Sonny Blount Side of the Street / Little Onions; Neon Noodle.

Personnel

Elliott Sharp: guitar, 12-string guitar, baritone guitar, Hawaiian guitar, 6-string bass, bass clarinet, alto sax; John Kruth: mandolin, steel body mandolin, 4-string electric mandolin, mandocello, flute, pennywhistle, lira, harmonica, sheng; Jonathan Segel: violin, guitar, piano, mandocello, dulcimer; Atilla Engin, percussion, ektara, voice.

Album information

Title: Moon Dog Girl | Year Released: 2000 | Record Label: Sparkling Beatnik Records

About Noodle Shop

Tags

PREVIOUS / NEXT

Become a Sustaining Member

Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.

Help Build the Future of All About Jazz

Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.

Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.

Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.