Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

3

Shirantha Beddage: Momentum

Franz A. Matzner By

Sign in to view read count
The baritone sax is an underutilized part of the jazz arsenal, at least as a lead, soloist instrument. Its deep sonority tends to tilt its use either toward ensemble settings or the cooler styles of soloist work, following the trajectory of Gerry Mulligan's early innovations on the instrument. With Momentum, Canadian composer and multi-instrumentalist Shirantha Beddage unfetters the baritone's capacities, both by exploring the instrument's higher registers and utilizing it in a wide variety of musical settings, while taking full advantage of its unique ability to plumb the deeper ends of the emotional spectrum.

Beddage roots much of his inspiration on in scientific principles, which may account for its clarity of structure and balanced sense of space and movement. But this grounding does not result in the type of overtly cerebral or emotively flat exercise that can sometimes mar such explorations.

For example, the opening track "Porkchop" is an ebullient, funky tune, built around a memorable riff that tumbles quickly from a grainy high register, down to a dank basement tone. It's a clever, inviting opener that also reveals the talents of Beddage's band mates, who are no less adroit. "Drag and Drop" continues the deft balance of firm structure with kinetic energy, debuting another memorable theme, this time silky smooth and supported by a rich base line by Rich Brown, the perfect bed for Beddage to take advantage of the baritone's sensual, Barry White tonalities. (Illustrating Beddage's methods, the scientific theme being explored here is "friction and thrust.")

Of the compositions that follow, "Gravity," one of the album's less memorable tunes, takes on J.S. Bach and concepts of weight; "Centrifugal Force" explores 12 tone rows over the course of its eight minutes of rising and falling spirals; "Momentum"—an album high point—delves into speed and collision, charting its crescendo course with ethereal tones, precise, inventive drumming, and beautiful piano accompaniment. It is on this piece that Beddage unlocks the baritone's full range, patiently developing the pieces themes, converting this standard structure into a merged meditation on force and space and the arc of passionate longing.

The brisk "Axis of Rotation" acts as a quiet interlude, on which Beddage once again shows great tone control; and "Angle of Incidence" is a swinging tune that Beddage explains found its origins in the angles of billiards, which comes through in the piece's clattering solos, rapid piano, and crisp interactions, all of which evoke the scene of a classic jazz bar and pool room— loose, a touch dirty, and choked with character.

The album ends with yet another mood shift. A tender pastoral, "The Long Goodbye."

An astute, intriguing, and artistically balanced affair, Momentum reminds us that jazz offers many avenues that a creative mind can revitalize, explore, and make personal, even if they stay within the traditional boundaries. The result of Beddage's journey should establish him as an adept composer and soloist, and help open the window to a Canadian jazz scene worth further exploration.

Track Listing: 1.Pork Chop; 2. Drag and Drop; 3. Gravity; 4. Centrifugal Force; 5. Momentum; 6. Axis of Rotation; 7. Angle of Incidence; 8. The Long Goodbye

Personnel: Shirantha Beddage: baritone sax, piano (8), Fender Rhodes (3,6), bass clarinet(2,5), alto sax, clarinet, flute (2); David Restivo: piano (1,3,4,5,6,7), Fender Rhodes (2,8); Mike Downes: bass (1,6,7,8); Rich Brown: bass(2-5); Mark Kelso: drums (1,6,7,8); Wiliam Kennedy: drums (2-5)

Title: Momentum | Year Released: 2016 | Record Label: Self Produced

Tags

comments powered by Disqus

The Long Goodbye

The Long Goodbye

Shirantha Beddage
Momentum

Album Reviews
Take Five With...
Read more articles
Momentum

Momentum

Self Produced
2016

buy
Identity

Identity

Addo Records
2012

buy
Roots and Branches

Roots and Branches

Jazz Excursion Records
2007

buy

Shop

Start your shopping here and you'll support All About Jazz in the process. Learn how.

Related Articles

Read East Of The River Nile Album Reviews
East Of The River Nile
By Chris May
February 23, 2019
Read VOX Album Reviews
VOX
By Friedrich Kunzmann
February 23, 2019
Read live@ZKM Album Reviews
live@ZKM
By Bruce Lindsay
February 23, 2019
Read cinder: ember: ashes Album Reviews
cinder: ember: ashes
By Glenn Astarita
February 23, 2019
Read Amour Album Reviews
Amour
By Doug Collette
February 23, 2019
Read Friendly Signs Album Reviews
Friendly Signs
By Don Phipps
February 22, 2019
Read The Adventures of Mr Pottercakes Album Reviews
The Adventures of Mr Pottercakes
By Roger Farbey
February 22, 2019