Learn How

We need your help in 2018

Support All About Jazz All About Jazz is looking for 1,000 backers to help fund our 2018 projects that directly support jazz. You can make this happen by purchasing ad space or by making a donation to our fund drive. In addition to completing every project (listed here), we'll also hide all Google ads and present exclusive content for a full year!

557

Joshua Redman Elastic Band: Momentum

John Kelman By

Sign in to view read count
While some may pine for the glory days of the '50s when jazz was more "pure, the reality is that, artistically speaking at least, the present is a great time for jazz. A more cosmopolitan affair than ever before, jazz has seen younger artists grow up with exposure to so many styles of music—inside and outside of the jazz tradition—that there's a steady osmosis allowing for the kind of cross-genre infiltration that makes for all manner of new and exciting music.

Purists may balk, but when you hear an album like Momentum, Joshua Redman's latest with his Elastic Band—which comfortably mixes material by Ornette Coleman, Sheryl Crow, and Led Zeppelin with Redman's own originals and a series of brief jam-like interludes—it's an encouraging indicator that jazz isn't a museum piece. It's a living, breathing form that continues to evolve with each passing year.

Redman and keyboardist Sam Yahel, who makes up the core of the Elastic Band along with alternating drummers Brian Blade and Jeff Ballard, know that it's possible to make funky, groove-centric music that doesn't fall anywhere close to the area of smooth jazz. Probably the most significant precedent for much of the music on Momentum is Herbie Hancock's Headhunters recordings from the '70s. But Redman's perspective is less dense than Hancock's layered keyboard approach, and while the group looks back with fondness, they are equally rooted in the present and perhaps positing for a new kind of accessible music that never panders to a lowest common denominator.

The greater accessibility of recording technology in recent years has resulted in one drawback: young artists sometimes hit the market as leaders before they are perhaps truly ready, and this may have been the case with Redman. While his early albums showed promise, he has only hit his stride in recent years. In fact, to truly appreciate his broad strengths, one need only check out, in addition to Momentum, his recording with the SF Jazz Collective, released simultaneously by Nonesuch Records, and his work on Kurt Rosenwinkel's recent Deep Song. Redman seems to be making giant leaps these days in terms of sound and harmonic depth, justifying the faith that has been afforded him all along.

Additionally, Redman and Yahel utilize technology in a completely organic fashion; Redman often applies real-time processing to his horn, emulation a larger section sound. And while "Greasy G may be the deepest, most visceral funk on the album—due in no small part to bassist Meshell Ndegeocello's guest stint—Yahel's bass synth is equally effective for most of the set.

Ballard and Blade approach the common musical ground of Momentum from two distinct viewpoints. These two players, like Redman and Yahel, can distill their wide experiences into a more focused groove.

The easy rhythms and accessible veneer of Momentum belie a greater depth. One need only listen to the contemporary yet open-ended arrangement of Coleman's "Lonely Woman, beside the folk-like lyricism of Crowe's "Riverwide, to appreciate the true breadth of everyone's reach.

Visit Joshua Redman on the web.

Track Listing: Soundcheck; Sweet Nasty; Just a Moment; Shut Your Mouth; The Crunge; Riverwide; Greasy G; Lonely Woman; Swunk; Blowing Changes; Double Jeopardy; Put It in Your Pocket; Showtime.

Personnel: Joshua Redman (tenor and soprano saxophones, organ, bass synth, clavinet), Sam Yahel (bass synth, Rhodes, organ, clavinet, ambient synth), Brian Blade (drums on "Just a Moment," "The Crunge," "Riverwide," "Greasy G," "Blowing Changes," "Double Jeopardy"), Jeff Ballard (drums on "Soundcheck," "Sweet Nasty," "Shut Your Mouth," "Lonely Woman," "Swunk," "Showtime"), ?uestlove (drums on "Put It in Your Pocket"), Flea (bass on "The Crunge," "Blowing Changes," "Double Jeopardy"), Meshell Ndegeocello (bass on "Greasy G"), Jeff Parker (guitar on "Riverwide"), Eric Krasno (guitar on "Greasy G"), Kurt Rosenwinkel (guitar on "Swunk"), Peter Bernstein (guitar on "Double Jeopardy," "Put It in Your Pocket"), Stefon Harris (vibes on "Lonely Woman," "Swunk"), Nicholas Payton (trumpet on "Put It in Your Pocket").

Title: Momentum | Year Released: 2005 | Record Label: Nonesuch Records


Tags

comments powered by Disqus

More Articles

Read Rain or Shine CD/LP/Track Review Rain or Shine
by Jack Bowers
Published: December 15, 2017
Read Lighthouse CD/LP/Track Review Lighthouse
by Mark Sullivan
Published: December 15, 2017
Read Copenhagen Live 1964 CD/LP/Track Review Copenhagen Live 1964
by John Sharpe
Published: December 15, 2017
Read Somewhere Glimmer CD/LP/Track Review Somewhere Glimmer
by Glenn Astarita
Published: December 15, 2017
Read Lattice CD/LP/Track Review Lattice
by John Sharpe
Published: December 14, 2017
Read I Think I’m Going To Eat Dessert CD/LP/Track Review I Think I’m Going To Eat Dessert
by Mark Corroto
Published: December 14, 2017
Read "Grey Mirror" CD/LP/Track Review Grey Mirror
by Dan McClenaghan
Published: August 6, 2017
Read "We Know Not What We Do" CD/LP/Track Review We Know Not What We Do
by Glenn Astarita
Published: July 21, 2017
Read "My Foolish Heart" CD/LP/Track Review My Foolish Heart
by Nenad Georgievski
Published: March 28, 2017
Read "Two in a Box" CD/LP/Track Review Two in a Box
by Jack Bowers
Published: September 20, 2017
Read "Faces and Places" CD/LP/Track Review Faces and Places
by Kris Perdew
Published: October 25, 2017
Read "Small Town" CD/LP/Track Review Small Town
by Nenad Georgievski
Published: August 4, 2017

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!