67

Je Suis!: Mistluren

Mark Corroto By

Sign in to view read count
Je Suis!: Mistluren In 1962 free jazz pioneer Albert Ayler moved to Sweden. Like Jesus Christ's 40 days in the desert, he came home to the United States after being tempted by the devil, and led a revolution in free jazz. His Swedish temptation, perhaps it was a viral contagion, has survived these past 50 years, resurfacing in the sextet Je Suis!.

Like Ayler, leader and composer Niklas Barno is fond of simple melodies and bits of mayhem. His trumpet can be heard in Stockholm, playing in SNUS, Kege Snö, and the Fredrik Norén Band. Opening Mistluren with "Varför Får Jag Ingen Kaka Till Kaffet Din Jävel" (roughly translated as "Why didn't I get a biscuit and coffee, motherfucker?") his trumpet blurts out a slurry loose and loopy cartoon invocation that gives way to the plodding tromp of his compatriots. Each player takes a solo within the march: Alexander Zethson's piano, a saloon trinkle not unlike ex-patriot Cecil Taylor's sound from his Nordic residenc; Marcelo Gabard Pazos' alto saxophone spitting quicksilver notes; and drummer Magnus Vikberg rolling a dynamo of beats. The music was created to break free, yet always return with a logical order with a sound often comparable to that of Vandermark 5. "Jag är!" shares a likeness to Je Suis!' Chicago brethren with its large trawling sound.

Like Ayler, Barnö's rationale is to make chaos from order—or perhaps, order from chaos. "Eyafjallajökull" builds to a powerful and furious end after a somber opening. As the horns play a solemn cortège, Joel Grip's bass scraps and scratches a rebuke, seemingly to encourage the fury.

The signature piece here is "Östermalm," a progeny of Alyer's music, working a Gospel-preached melody against free jazz exclamations. Barnö, channeling both Ayler and his trumpet playing brother Donald Ayler, cries out, barely containing his joy. The music recalls the unfortunate character in David Foster Wallace's book Brief Interviews With Hideous Men (Little, Brown and Company, 1999) who, every time he reaches orgasm, compulsively yells "Victory for the forces of democratic freedom!" Indeed.

Track Listing: Varför Får Jag Ingen Kaka Till Kaffet Din Jävel; Östermalm; Lyrikern; Odjuret Och Odjuret; Geniet; Eyafjallajökull; Det Måste Vara Doping; Jag är!.

Personnel: Niklas Barnö: trumpet; Mats Äleklint: trombone; Marcelo Gabard Pazos: alto saxophone, baritone saxophone; Alexander Zethson: piano; Joel Grip: double bass; Magnus Vikberg: drums.

Year Released: 2012 | Record Label: Umlaut Records


Shop

More Articles

Read Groove Dreams CD/LP/Track Review Groove Dreams
by Dan Bilawsky
Published: May 23, 2017
Read Kami Fusen CD/LP/Track Review Kami Fusen
by Glenn Astarita
Published: May 23, 2017
Read Two CD/LP/Track Review Two
by Joe Gatto
Published: May 23, 2017
Read Galaxies Like Grains Of Sand CD/LP/Track Review Galaxies Like Grains Of Sand
by Roger Farbey
Published: May 23, 2017
Read Nightfall CD/LP/Track Review Nightfall
by John Kelman
Published: May 22, 2017
Read Pekka CD/LP/Track Review Pekka
by Roger Farbey
Published: May 22, 2017
Read "Beatbox Sax" CD/LP/Track Review Beatbox Sax
by Dan McClenaghan
Published: September 18, 2016
Read "Projeto Brasil!" CD/LP/Track Review Projeto Brasil!
by Budd Kopman
Published: May 27, 2016
Read "Vyamanikal" CD/LP/Track Review Vyamanikal
by Duncan Heining
Published: July 17, 2016
Read "The AV Club" CD/LP/Track Review The AV Club
by Roger Farbey
Published: March 18, 2017
Read "Anybody's Spring" CD/LP/Track Review Anybody's Spring
by Geannine Reid
Published: April 2, 2017
Read "Transparent Water" CD/LP/Track Review Transparent Water
by Roger Farbey
Published: December 29, 2016
comments powered by Disqus

Why wait?

Support All About Jazz and we'll deliver exclusive content, hide ads, hide slide-outs, and provide read access to our future articles.

Buy it!