Home » Jazz Articles » Album Review » Duke Ellington and Others: Melinda and Melinda
Duke Ellington and Others: Melinda and Melinda
Allen's taste is impeccable: there are three cuts by Duke Ellington ("Take the A Train," "I Let a Song Go Out of My Heart," and "In a Mellow Tone"), three by Erroll Garner ("The Best Things in Life Are Free," "Somebody Stole My Gal," "Will You Still Be Mine?"), and three by Dick Hyman ("Don't Get Around Much Anymore," "Love Me," and a medley that includes a lovely "Darn that Dream"). Plus—and this is the dramatic part—pieces by Stravinsky, Bartok, and Bach performed by the English Chamber Orchestra, the Shanghai Quartet, and Dick Hyman respectively. The producers sensibly put the classical cuts in the middle of the CD, and just as the movie segues seamlessly from light to dark, so does the soundtrack.
Everyone knows that Woody Allen loves jazz, but he's perhaps not given enough credit for his deep understanding of the music. Since he's a jazz musician himself, the soundtrack of Allen's life is jazz, and through his films he has been able to increase the music's exposure. So check out the film Melinda and Melinda, and chances are you'll want to hear its soundtrack again.
Track Listing
Take The 'A' Train; The Best Things In Life Are Free; Somebody Stole My Gal; I Let A Song Go Out Of My Heart; Medley - Memories Of You/Moonglow/No Moon At All/Darn That Dream; Concerto in D For String Orchestra: 2. Arioso: Andantino; String Quartet No. 4; Prelude 2 Well Tempered Clavier; Love Me; Don't Get Around Much Anymore; In A Mellow Tone Will You Still Be Mine?
Personnel
Duke Ellington
pianoDuke Ellington and His Orchestra; Erroll Gardner, Dick Hyman, the English Chamber Orchestra, and the Shanghai Quartet
Album information
Title: Melinda and Melinda | Year Released: 2005 | Record Label: Milan Records
About Duke Ellington
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.
