Home » Jazz Articles » Album Review » Juanita Euka: Mabanzo
Juanita Euka: Mabanzo
Opening with "Alma Seca," the Afro-Cuban sounds reflect the music's tradition, adding elements of today's pop and Latin jazz. Euka's vocals have a sensual overtone, and her notes ring with robust fullness. Sanders' subtle guitar work adds variety, and rhythmic and harmonic colors. His solo is melodic and matches Euka's sensuality. The vocal harmonies are rich as the call and response between the lead and harmonies build the energy and add diversity to the arrangement. Euka successfully brings her varied musical influences into play and delivers a beautiful opening selection.
The energy heightens with the danceable "Nalingi Mobali Te." The horns add textures and colors, with a pure contemporary Congolese guitar figure supporting the feel. Euka's impassioned singing is lilting with Afro-Cuban rhythms. Each section of the song has new elementsinstruments, countermelodies, and full horn parts; feel-good music at its best.
Mabanzo introduces a strong vocalist and a winning team with Euka and Sanders. Sanders is the leader and musical director of the jazz-world fusion collective Teotima, which has released two critically acclaimed LPs on First Word Records. His arrangements and production for Congolese-Argentinian singer Juanita Euka is a solid match.
Track Listing
Alma Seca; Mboka Moko; For All It's Worth; Sueños De Libertad; Nalingi Mobali Te; Blood; Baño De Oro; Motema; Camarades; War Is Over; Irresolute; Alma Seca (Acoustic Version).
Personnel
Juanita Euka
vocalsFlora Curzon
violinKareem Dayes
celloGraeme Flowers
trumpetKieran McLeod
tromboneFabio de Oliveira
drumsBen Assiter
drumsAdditional Instrumentation
Greg Sanders: guitar, bass guitar, Cuban acoustic guitar), synthesizer, percussion programming; Chris Williams: Soprano Saxophone, Alto Saxophone; Will Fry: Congas, Bongos, Timbales, Guiro.
Album information
Title: Mabanzo | Year Released: 2022 | Record Label: Self Produced
About Juanita Euka
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.







