Home » Jazz Articles » Album Review » Manfred Kniel and his Reduction Quartet: Low Down Music
Manfred Kniel and his Reduction Quartet: Low Down Music
"Klagelied" provides a pertinent example. The theme is pretty negligible, perhaps no more than something on which to blow in the time-honored fashion, but the variations on it are far from compelling and take in a drum solo which highlights Kniel's vitality.
The heavy-handed humor comes to the fore on "Pozilei," and it's frustrating, in no small part, because it prevents a true picture of trombonist Mike Svoboda's instrumental personality. It also has the air of a pastiche from the Art Ensemble Of Chicago at itsmost playful, but that band's singular grasp of the art of tension and release is substituted with a kind of contrived grandstanding. It's true that, as the piece progresses, Svoboda and trumpeter Karl Farrent get the chance to strut, but their efforts are undermined by an apparent unwillingness to get loose.
"Eklat" highlights how incidental bassist Veit Hubner's contribution can be. The three-note motif which opens the piece is a kind of antithesis to anything with the potential for in the moment development, and proves the harbinger of the kind of disruption on which Kniel, the composer, seems to thrive. Farrent's solo is a model of economy, but given the material he's working with, it couldn't realistically be anything else.
It all makes for rather wearing listening, especially as there is the seed of something special here. Whether that seed grows into something substantial can't be predicted at this moment, especially given generally transitory nature of band lineups.
Track Listing
Burgermusi; Naiv, Tief Und Grausig-Schön; Miss Blue; Eklat; Free 'n' Open; Pozilei; Klagelied; Schneefelder II.
Personnel
Karl Farrent: trumpet; Mike Svoboda: trombone; Veit Hubner: bass; Manfred Kniel: drums.
Album information
Title: Low Down Music | Year Released: 2011 | Record Label: Neos
About Manfred Kniel and his Reduction Quartet
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.






