347

The Microscopic Septet: Lobster Leaps In

Troy Collins By

Sign in to view read count
The Microscopic Septet: Lobster Leaps In
"New York's Most Famous Unknown Band" is back after years of inactivity, with a new album every bit as rollicking and ebullient as those made in its prime. Although the band's genesis can be traced back to 1980, the Microscopic Septet was poised for the big time in the early nineties, but their big break never came. The band finally disbanded in 1992, four years after recording their fourth and final album, Beauty Based on Science (Stash, 1988), with a cache of unrecorded tunes still in their playbook. In 2006, Cuneiform Records reissued their complete output on two double disc sets, History of the Micros, Vol.1—Seven Men in Neckties and History of the Micros, Vol.2—Surrealistic Swing, which inspired a limited reunion tour that sowed the seeds for this session.

With a back catalog of 180 unrecorded tunes and renewed interest in their oeuvre, co-band leader and soprano saxophonist Phillip Johnston decided it was time for the Micros to record some of these undocumented gems, which rank up there with the band's classic material. Drawing inspiration from the Swing Era, they also incorporate myriad styles and genres into their mercurial structures, including calypso, free jazz, polka, R&B, rumba, tango, and countless others.

The reunited septet is remarkably tight considering their lengthy hiatus. Regular performers at the old Knitting Factory, two decades have passed since their last recording session together, yet they have lost none of their enthusiasm or wily sense of humor. Pianist Joel Forrester, bassist David Hofstra, drummer Richard Dworkin, and the expressive saxophone front-line of Phillip Johnston, Don Davis, Mike Hashim, and Dave Sewelson (soprano, alto, tenor, and baritone, respectively) have all maintained active careers as leaders and sidemen, which lends this session a carefree sensibility.

The tunes unfold like a retrospective of sorts, with a zany blend of styles and genres, all rolled up in a bustling undercurrent of good humor. Wayne Horvitz's "Night Train Express" gets the party started with a jumping chorus of swaggering blues riffing and crackling snare accents, while the title track is a spry noir-inflected swinger filled with descending angles and coiling rhythmic turns. Sporadic caterwauling from the horns speckles "Money Money Money" and "The Big Squeeze" with the dissonant skronk of free jazz without ever going completely out. "Life's Other Mystery" struts with R&B bluster and "Almost Right" burns with boppish urgency while "Disconcerto For Donnie" and "Got Lucky" dabble in exotic elements—lilting Caribbean rhythms on the former, dizzying tango on the later.

Packed with soaring melodies, jubilant riffs, joyous shout choruses, infectious rhythms and incisive solos, Lobster Leaps In is the most fun one can have listening to contemporary jazz. Considering their recent spate of activity, this is probably not the last we've heard from the Microscopic Septet, and that dear reader, is a good thing.

Track Listing

Night Train Express; Disconcerto For Donnie; Lobster Leaps In; Got Lucky; Lies; Life's Other Mystery; Almost Right; Money, Money, Money; Lt. Cassawary; Twilight Time Zone; The Big Squeeze.

Personnel

Phillip Johnston: soprano saxophone; Don Davis: alto saxophone; Mike Hashim: tenor saxophone; Dave Sewelson: baritone saxophone; Joel Forrester: piano; David Hofstra: bass; Richard Dworkin: drums.

Album information

Title: Lobster Leaps In | Year Released: 2008 | Record Label: Cuneiform Records

Post a comment about this album

Watch

Tags

Shop Amazon

More

Read The Rise Up
The Rise Up
Mehmet Ali Sanlikol
Read New York Moment
New York Moment
JC Hopkins Biggish Band
Read Pollinator
Pollinator
Matt Ulery
Read Hug!
Hug!
Matt Wilson Quartet
Read Touch & Go
Touch & Go
Susan Tobocman
Read The Ilkley Suite
The Ilkley Suite
Jamil Sheriff
Read Moving Through Worlds
Moving Through Worlds
Fiona Joy Hawkins

All About Jazz needs your support

Donate
All About Jazz & Jazz Near You were built to promote jazz music: both recorded and live events. We rely primarily on venues, festivals and musicians to promote their events through our platform. With club closures, shelter in place and an uncertain future, we've pivoted our platform to collect, promote and broadcast livestream concerts to support our jazz musician friends. This is a significant but neccesary effort that will help musicians now, and in the future. You can help offset the cost of this essential undertaking by making a donation today. In return, we'll deliver an ad-free experience (which includes hiding the bottom right video ad). Thank you.

Get more of a good thing

Our weekly newsletter highlights our top stories and includes your local jazz events calendar.