If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.
You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...
There's always been an implicit connection between progressive rock and jazz fusion. Years of Internet-based collaborations with fabled prog-rock vocalist Jon Anderson (Yes) led to his appearance on several tracks for New Jersey-based studio engineer and session guitarist Dennis Haklar's debut solo effort. The guitarist also employs former instructor, jazz guitar legend Larry Coryell, along with the imposing rhythm section of bassist Mark Egan (Pat Metheny) and drummer Thierry Arpino (Jean-Luc Ponty). Without even listening to the album, it would appear on paper that Haklar must have done something right to command the attention of these notable musicians. On that note, he succeeds rather profoundly via these harmonically attractive compositions and thoughtful arrangements.
Built on Haklar and Coryell's circular phrasings that outline the primary theme on "Prelude to Dawn," Anderson and fellow singer Stefanie Haklar's tender vocals are subtly spotted in the background, as Anderson's whispery lyrics and wordless vocals cast a floating dreamscape that shades and contrasts a burgeoning ballad extended by the guitarists' ringing harmonics and jazzy soloing. With Egan's resonating lines offering a sinuous foundation, Arpino kicks it up a notch and elevates the intensity during the bridge, but the musicians revisit the main melody towards the coda, leading to an ethereal fadeout.
It's a piece that showcases Haklar's acute compositional pen, layered studio processing techniques and impressive guitar chops. Hopefully this standout recording will not go unnoticed.
Personnel: Larry Coryell: Gibson ES 339 electric guitar (second solo); Mark Egan: bass; Thierry Arpino: drums; Jon Anderson: vocals; Stefanie Haklar: vocals; Dennis Haklar: Godin ACS guitar (first solo).
We sent a confirmation message to . Look for it, then click the link to activate your account. If you don’t see the email in your inbox, check your spam, bulk or promotions folder.
Thanks for joining the All About Jazz community!