Home » Jazz Articles » Album Review » Schlippenbach & Johansson: Live 1976/77

137

Schlippenbach & Johansson: Live 1976/77

By

View read count
Alexander von Schlippenbach has always worked well with drummers and his previous discography bears his preference for such percussive partners out. From the work unveiled on this disc to later meetings with the likes of Sunny Murray and Tony Oxley ( Smoke and Diggers Harvest respectively, both on FMP) his own percussive style with hooks in the innovations of Cecil Taylor has flourished in stripped down settings of piano and drums. Johansson is similarly suited to such environments. Whether in larger ensemble settings like the octet memorialized on Brötzmann’s Machine Gun where his ballistic interactions with Fred Van Hove and fellow drummer Han Bennink kept things fired up to a furnace heat, or alone as on his recently reissued Schlingerland/Dynamische Schwingungen (Unheard/Atavistic) he approaches his kit with a complete and candid openness to any and all possibilities.

Pieced together from personal tapes these dozen performances run a wide gamut especially considering their sparse instrumentation. Neither man is absolute leader or follower. Instead a fluid propulsory pact exists in their interplay allowing either one to upend the tables and light out in a new trajectory, partner in tow. On the opening track, which winds onward for nearly a third of an hour, a dense dance between drums and keys gives way to a playful Tango-tinged solo from Johansson’s accordion and an eventual rough edit into radical reworkings of Monk’s “Evidence” and “Round About Midnight.” The latter is almost unrecognizable, a frayed string of sideshow percussion and obliquely referenced melody. “Yaapo” returns the duo’s ship to more lyrical waters for a short spell as Johannson’s woodblocks accent a colorful series of cheerful runs from Schlippenbach before a sudden shift into more turbulent straights. The dynamic tension created between sections is a pure thing of tensile-charged beauty. Johansson rolls out the spare change and junk on “Potpourri a la bonne femme” creating a wonderfully unruly mélange of percussive flavors prior to his partner’s entry on prepared piano keys and innards. “Very Good Because Very Strong” composed in honor of South African saxophonist Dudu Pukwana is a flood of cascading block chords tested under the weight of Johansson’s continuous drum barrage. Other pieces like “Blues Is Something Slightly Knowing,” which focuses on accordion and vocalized lyrics in English are more curious than engaging, but still add further to the feeling that anything is fair game for restless imaginations of these two. Ending with a fractured vocal reading of the standard “Over the Rainbow” the pair keeps a wistful eye trained to the future.

Perhaps the best news of all is that both of these players are still actively performing and recording with their own groups: Schlippenbach with a handful of aggregations and Johansson with a working quintet (documented on Hatology). Through varied projects each man continues to actualize and expand on the promise first set down in these earlier meetings. To have them available for perusal is a boon we should all give thanks for.

FMP on the web: http://www.free-music-production.de

Track Listing

Kurz vor Mitternacht mit Walzer plus/ Evidence/ Round about midnight/ Yaapo/ Potpourri a la bonne femme/ Very good because very strong (to Dudu Pukwana)/ Blues is something slightly knowing/ Nordstr

Personnel

Alexander von Schlippenbach- piano); Sven-

Album information

Title: Live 1976/77 | Year Released: 2001 | Record Label: FMP Records


About Alexander von Schlippenbach

Tags


PREVIOUS / NEXT




Become a Sustaining Member

Get the Jazz Near You newsletter

Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.

Help Build the Future of All About Jazz

Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.

Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.

Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.

More

Airborn
Eddie Parker's Airborn With Rob Luft
Slow Down For Turtles
Luca Benedetti
Relocate
Andres Thor
A Distant Land
Rich Halley 4

Popular

Desolation Row
David Maranha / Rodrigo Amado
2014 NYC
King Crimson
Beneath Lifted Skies
Linda May Han Oh & Melissa Aldana
Talamanti
Patricia Brennan and Sylvie Courvoisier

Get more of a good thing!

Our weekly newsletters highlight our top stories, top album reviews, website news, free songs, radio & podcast shows, news, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.