Although it is recognisably from the Jazzland ECM-with-beats mold, because of its bass-heavy rhythms and grooves, guitarist Eivind Aarset's follow-up to Electronique Noire (Jazzland, 1998) definitely sounds like a muso's album. Aarset is happy to discuss his roots in Hendrix, heavy metal, fusion and ECMelements that combined with the Jazzland ethos to give his debut album its unique sound, and caused it to attract comparisons with electric Miles.
Here, those factors are more integrated into a seamless whole. Not totally though. Aarset cannot resist the occasional blast, and on "Self Defence" his Hendrix roots are showing, as he cooks up a distorted noise-storm of a solo. And "The String Thing" features wailing (treated) guitar in the manner of your favourite axeman. Such rockist excesses are not the norm, though. Far more common is a sustained groove with all the sounds in an electric melting pot of a mix, and individual instruments only occasionally recognisableapart from the ever-present bass and drums.
Despite being rhythmically charged, this is not warm or engaging music. Rather, it is detached, even alienated, and alienating. One can imagine it as the soundtrack to the 2010 remake of Alphaville. Chilling but impressive.
Track Listing: Empathic Guitar; Wolf Extract; Dust Kittens; The String Thing; Between Signal & Noise; ffwd/slow motion; Self Defence; Tunnel Church
Personnel: Eivind Aarset, guitar & fretless guitar, electronics, electric bass on track 4, programming and edits; Wetle Holte, drums, drum machine, electronics and edits; Marius Reksjo, electric & acoustic basses, except on tracks 4 & 8; Reidar Skar mix & electronics; Hans Ulrik, bass clarinet on tracks 2 & 5; Arve Furset, Rhodes/Prophet on track 2, Prophet on track 5; Nils Petter Molvar trumpet on track 8; Nick Sillitoe, vital arrangement input on track 3.
I fell in love with jazz through my dad Bobby Hirst who was a jazz pianist for over 50 years around the UK and Europe. He was such a modest man but an incredible musician. I tinkered with piano but found myself drawn to guitar after listening to Wes Montgomery, Joe Pass and Kenny Burrell
I fell in love with jazz through my dad Bobby Hirst who was a jazz pianist for over 50 years around the UK and Europe. He was such a modest man but an incredible musician. I tinkered with piano but found myself drawn to guitar after listening to Wes Montgomery, Joe Pass and Kenny Burrell. Misty by Erroll Garner is one of my favourite tracks. My current choice of guitars are Gibson ES335 & ES175 although I only own Epiphone copies at present. I also play classical guitar and love to play jazz on them. I have recently moved to Leeds from York and hoping to meet new friends in the jazz community.