Support All About Jazz

All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.


I want to help
480

Keith Jarrett: Life Between the Exit Signs

John Kelman By

Sign in to view read count
Keith Jarrett: Life Between the Exit Signs Not long after recording '66's Buttercorn Lady with Art Blakey, and Dream Weaver , which signalled the beginning of his association with Charles Lloyd's hugely popular quartet, pianist Keith Jarrett was encouraged by Lloyd producer George Avakian to make his first recording as a leader. Jarrett's immediate popularity in Downbeat 's Readers poll for that year was instrumental in his being able to attain complete artistic freedom, a characteristic that has ultimately defined his entire career. Life Between the Exit Signs finds a nascent Jarrett wearing some of his primary influences on his sleeve—Bill Evans, Paul Bley and Ornette Coleman most notably—but, even so, many of his defining qualities as a distinctive player are already in evidence.

Beginning an association with bassist Charlie Haden and drummer Paul Motian that was to last for nearly ten years, Jarrett demonstrates a penchant for overt lyricism on "Margot" and "Love No. 1," a somehow distinctly American flavour on "Lisbon Stomp," and free playing on the title track and "Love No. 2," which follow the Ornette Coleman modus operandi of structured themes leading into completely open improvised sections. He even covers one standard, Cole Porter's "Everything I Love," to show his love of the Great American Songbook, a characteristic that would, of course, be brought to greater fruition with his now twenty-year old Standards Trio with Gary Peacock and Jack DeJohnette.

Haden, having already spent a good deal of time with Coleman, brings a strong sense of adventure coupled with a clear sense of history and tradition. Motian, at that time better known for his more subdued work with Bill Evans, gets the opportunity to play in a looser setting, displaying his abilities as textural player and colourist that would gain him a greater reputation in years to come.

But as strong as Haden and Motian are as musical personalities, it is Jarrett who clearly shines on this recording. Less concerned with some of the more odd choices that he made in the mammoth '70 session that resulted in three intriguing but largely uneven recordings— The Mourning of a Star, El Juicio and Birth —this is a more straightforward session that, while perhaps less widely experimental, ultimately succeeds as a more consistent document of where Jarrett came from and who he was ultimately to become. Life Between the Exit Signs is a remarkable first outing from a pianist who has inarguably become as important as his sources, moving the tradition forward while at the same time maintaining a clear reverence for it.

This remastered version of Life Between the Exit Signs is currently only available in the UK.


Track Listing: Lisbon Stomp; Love No. 1; Love No. 2; Everything I Love; Margot; Long Time Gone (But Not Withdrawn); Life Between the Exit Signs; Church Dreams

Personnel: Keith Jarrett (piano), Charlie Haden (bass), Paul Motian (drums)

Year Released: 2004 | Record Label: Atlantic Jazz Masters | Style: Modern Jazz


Shop

Live Reviews
CD/LP/Track Review
Genius Guide to Jazz
Extended Analysis
Read more articles
Creation
Creation
ECM Records
2015
buy
Hamburg '72
Hamburg '72
ECM Records
2014
buy
Last Dance
Last Dance
ECM Records
2014
buy
Ritual
Ritual
ECM Records
2014
buy
Keith Jarrett: Arbour Zena
Keith Jarrett: Arbour...
ECM Records
2014
buy
[no cover]
Concerts (Bregenz...
RCA
2013
buy
Pat Metheny Pat Metheny
guitar
Chick Corea Chick Corea
piano
Brad Mehldau Brad Mehldau
piano
Charlie Haden Charlie Haden
bass, acoustic
McCoy Tyner McCoy Tyner
piano
Bobby McFerrin Bobby McFerrin
vocalist
Jan Garbarek Jan Garbarek
sax, tenor
Bobo Stenson Bobo Stenson
piano

Post a comment

comments powered by Disqus

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.