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Vidna Obmana: Landscape in Obscurity
ByThough there are a few accents of acoustic percussion, mostly delicate rattles, the greatest part of this long single piece (68 ½ minutes) is composed of long floating notes, which extend off into endless waves of echoes. As a big reverb fan, this is pleasing to me. Flute and sax notes percolate through the echoing mix in a kind of slow kaleidoscopic revolution. There is hardly any variation in volume, complexity, or harmonies; the piece retains the same character throughout its length.
As with all "true" ambient music, this is not meant to be listened to with undivided attention. It is the analogy of incense or fragrance, meant to add quality, enjoyment, and mood to an environment rather than demanding a full commitment. As such, Landscape In Obscurity does its job of filling the air with its peaceful, comforting vibrations, a welcome sound in the leafless frozen months of winter.
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Title: Landscape in Obscurity | Year Released: 2000 | Record Label: Hypnos Recordings
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