Michael Bublé has got momentum and is showing no signs of slowing up. The young singer has gotten a lot of attention in his short recording career. It doesn't hurt that he's getting plenty of promotional assistance from his label, 143/Reprise, a division of Warner Bros. Sadly, that can't be said for many jazz artists. Still, Bublé is making hay with the opportunities afforded him.
On It's Time, he offers thirteen fresh tracks, including his original "Home, and dazzling covers of some classic songs. The first of these is a bluesy, horn-driven rendition of Nina Simone's "Feeling Good. And that is followed by "A Foggy Day (In London Town). Despite its gloomy title, Bublé and his supporting musicians are bright and sunny on this delightful offering.
Just as he's done on his 2003 debut and last year's Come Fly With Me, Bublé gives listeners just enough of the classic arrangement so that the songs all sound familiar, but he delivers them with the heart and passion that only a person who claims ownership of these titles can muster. By making them his own, he makes them relevant to today's audience. In other words, he's keeping it realbut without trying to sound like Sinatra, Tormé, or Bennett. And with a variable lineup of many of modern jazz's finest session musiciansVinnie Colaiuta, Chris Botti, Christian McBride, and Bill Reichenbach among themwe're treated to a full, orchestral sound on nearly every song.
Bublé credits his grandfather for turning him onto jazz at an early age.
"He asked me, as a favor to him, to learn the songs that he loved so much, Bublé says. "I started practicing 'Stardust' and 'Melancholy Baby' and won a local talent contest, but was disqualified for being underage. So my granddad, who was a plumber, offered to do free work for local musicians in exchange for letting me perform a few numbers with them on stage.
Those humble beginnings paved the way for the 28-year-old Canadian to become a quickly rising star. The new album also includes interpretations of a few more contemporary pop and R&B tunes, such as Leon Russell's "Song for You and Marvin Gaye's "How Sweet It Is. While Bublé does an admirable job with these, his better performances are on the jazz renditions, including a fast-paced, big band tribute to the Beatles' "Can't Buy Me Love. It's reminiscent of old-school jazz, when singers and musicians lived in the moment. This is easily one of the more energetic tracks on the album, and one that's certain to excite audiences if it becomes part of his live show.
It's Time clocks in at a modest 49 minutes, which is perfect for a vocal jazz album. With the emphasis on the singer, there's no need for extended instrumental solos. Bublé is the front man, and his voice is the star of this show.
Track Listing: Feeling Good; A Foggy Day (In London Town); You Dont Know Me; Quando, Quando Quando; Home; Cant Buy Me Love; The More I See You; Save the Last Dance for Me; Try a Little Tenderness; How Sweet It Is; Song for You; Ive Got You Under My Skin; You and I
Personnel: Michael Bublé, vocals; Randy Waldman, Tamir Hendelman and Alan Chang, piano; Brian Bromberg,
Christian McBride and Robert Hurst, bass; Vinnie Colaiuta, Jeff Hamilton, Frankie Capp and Dave Tull,
drums; Dean Parks, Heitor Pereira, Anthony Wilson, John Chiondi and Brian Green, guitar; Rafael Padilla
and Dan Higgins, percussion; Jochem Van Der Saag, harmonica, organ, programming and sound
design; Nelly Furtado, vocal on Quando, Quando, Quando; David Foster, keyboards, bass and piano;
Dan Higgins, sax and flute; Debbie Timuss, background vocals; horns on The More I See You: Jeff
Clayton, lead alto sax, Keith Fiddmont, alto sax, Ricky Woodard, tenor sax solo, Charles Owens, tenor
sax, Lee Callet, baritone sax, Bijon Watson, Sal Cracchiolo, Gilbert Castillanos and Kye Palmer,
trumpets, Ira Nepus, George Bohanon and Ryan Porter, trombones, and Bill Reichenbach, bass
trombone; Michael Thompson, electric guitar, and Brandon Jenner, acoustic guitar, on Save the Last
Dance for Me; Chris Botti, trumpet solo on Song for You;
I love jazz because it swings.
I was first exposed to jazz in Houston.
I met Joe LoCascio and Bob Henschen.
The best show I ever attended was Pat Martino.
The first jazz record I bought was Time Out by the Dave Brubeck Quartet.
My advice to new listeners is to relax on 2 and 4 beats.