Dear All About Jazz Readers,

If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.

You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...

11

Taeko Kunishima: Iridescent Clouds

James Nadal By

Sign in to view read count
There is an atmospheric element which Japanese musicians inherently weave throughout their compositions, giving their music a singular dimension which is readily identifiable. Acknowledged for her trademark lyricism, pianist Taeko Kunishima reflects upon the wonders of nature on Iridescent Clouds, offering elegant improvised passages encased in a meditative concept.

Accompanied again by Clive Bell, recognized master of the shakuhachi flute, and secured by the steady bass of Paul Moylan, the ensemble is augmented by percussionist Camilo Tirado. Additional exotic gradations are presented by Hibiki Ichikawa on the traditional three stringed Tsugaru shamisen. The utilization of field recordings by Jeremy Hawkins serves as a backdrop, the record flowing along its conceptual course.

The trickling of water opens "Blue Clouds," creating the sensation of a peaceful sojourn along a stream, lost in rapture. The piece has its moments of thoughtful flotation, as piano and flute drift towards the clouds. There is the distant chatter of passing people in the buoyant "In Search Of Time Lost," Kunishima carefully spacing her piano voicings to depict pensive hesitation while lost in a crowd.

Bell shines on "Iridescent Seashell," conjuring up the native uguisu bird. This Japanese Bush Warbler's recorded chirping interacts with the piano, a fascinating representation on the wonders of nature set to music. "Secrets," features Kunishima on solo piano, her instinctive classical inclinations taking over this tender composition. The bass sets the course in "Lighthouse In Winter," while Bell sends his flute out as a beacon, over the sea, into the mysterious night, waves gently splashing below.

"Oak Tree Leaf Rustles In My Mind," has shades of an Indian raga, set up by the cadenced tablas of Tirado, and bass bowing of Moylan. The suspension returns with "Everything Is In The Air," melodic passages drifting past the bamboo; Bell switching to the khene (Thai mouth organ) for a gypsy meets Zen moment of enlightenment. They close with "Volcanic Rocks," an Eastern melody played in western time, highlighted with high flying flute inflections and bursts, the journey ends on a rocky cliff, overlooking the valley below.

Taeko Kunishima was raised on Beethoven and Mozart, discovering jazz, she experimented with surrealistic improvisational options available in jazz harmony over her last three releases as leader. This fourth record proceeds along the same transcendent course she follows in her intellectual compositions and arrangements, maintaining her Japanese heritage of spiritual quest. While many artists attempt to seek personal redemption through music, by her particular mellow and evocative manner, Kunishima is already there.

Track Listing: Blue Clouds; In Search Of Time Lost; Iridescent Seashell; Secret; Lighthouse In Winter; Oak Tree Rustles In My Mind; Everything Is In The Air; Volcanic Rocks.

Personnel: Taeko Kunishima: piano, composer; CliveBell: shakuhachi, khene, Cretan pipes; Paul Moylan: double bass; Camilo Tirado: tablas, persussion; Hibiki Ichikawa: Tsugaru shamisen; Jeremy Hawkins: field recordings of uguisu, Japanese voices, rustling oaks.

Title: Iridescent Clouds | Year Released: 2016 | Record Label: 33 Jazz

Tags

comments powered by Disqus

Shop Music & Tickets

Click any of the store links below and you'll support All About Jazz in the process. Learn how.

Return to Life

Return to Life

Taeko Kunishima
Late Autumn

Cold Winter

Cold Winter

Taeko Kunishima
Red Dragonfly

Itsuki no Komoriuta

Itsuki no Komoriuta

Taeko Kunishima
Space to Be...

CD/LP/Track Review
Take Five With...
CD/LP/Track Review
Read more articles
Space to Be...

Space to Be...

Unknown label
2006

buy
Red Dragonfly

Red Dragonfly

Unknown label
2006

buy

Related Articles

Read Everything's OK CD/LP/Track Review
Everything's OK
by Doug Collette
Published: December 16, 2018
Read Making Bones, Taking Draughts, Bearing Unstable Millstones Pridefully, Idiotically, Prosaically CD/LP/Track Review
Making Bones, Taking Draughts, Bearing Unstable Millstones...
by Mark Corroto
Published: December 16, 2018
Read Legacy CD/LP/Track Review
Legacy
by Doug Collette
Published: December 16, 2018
Read Other Life Forms CD/LP/Track Review
Other Life Forms
by Glenn Astarita
Published: December 16, 2018
Read Live At Moods CD/LP/Track Review
Live At Moods
by Mark Sullivan
Published: December 16, 2018
Read Runner in the Rain CD/LP/Track Review
Runner in the Rain
by Troy Dostert
Published: December 15, 2018
Read "Twin Fantasy" CD/LP/Track Review Twin Fantasy
by John Bricker
Published: October 6, 2018
Read "Out of the Blues" CD/LP/Track Review Out of the Blues
by Chris M. Slawecki
Published: July 29, 2018
Read "Tschuss Jazz Era" CD/LP/Track Review Tschuss Jazz Era
by Jack Bowers
Published: June 3, 2018
Read "Why Not" CD/LP/Track Review Why Not
by Dan Bilawsky
Published: September 26, 2018
Read "Close Up" CD/LP/Track Review Close Up
by Jerome Wilson
Published: April 13, 2018
Read "Strata" CD/LP/Track Review Strata
by Franz A. Matzner
Published: September 5, 2018