Home » Jazz Articles » Album Review » Ruben Gonzalez: Introducing...Ruben Gonzalez

265

Ruben Gonzalez: Introducing...Ruben Gonzalez

Most Cuban releases these days evoke the atmosphere of the dance hall, or the veranda of an Havana dwelling, depending on whether the music is in the big-band dancing format or one of the more folkloric string-oriented styles. This premiere full-length by Ruben Gonzalez, however, brushes the sepia and blues of an early 20th Century salon performance. Gonzalez' virtuosic style, lyric and harmonically-full, reveals the depth of 19th Century Romantic influence on the arc of Cuban music as well as the better-noticed African and Spanish folk elements.

Unlike some of the other World Circuit recordings in this series, the disc's strength is not in the more syncopated tracks, represented here by "La Enganadora" and "Cumbanchero". The septuagenarian Gonzalez describes his love of music as centering around melody, harmony, and variety - Introducing... steadily progresses along this preferred trajectory, the shift arriving in Gonzalez' own "Melodia Del Rio", a bolero reminiscent specifically of some of Bud Powell's less-fevered performances and in general of the jazz produced just before bebop became standardized.

Gonzalez has maintained his form and technique as Havana has crumbled through the years of revolution, embargo, and government neglect, working out on any tuned piano he could find. If this disc feels anachronistic, as if it should have been recorded on 78 rpm, it also reveals the personality of its primary performer, who ends his performance with "Como Siento Yo", "how he feels" condensed into a brief solo piano elegy. It is a powerful two minutes, as he evokes his undefined sadness, the arthritis in his fingers, a setting which can be opened with the keys.

Tracks: La Enganadora; Cumbanchero; Tres Lindas Cubanas; Melodia Del Rio; Mandinga; Siboney; Almendra; Tumbao; Como Siento Yo.

Personnel: Ruben Gonzalez (piano); Orlando 'Cachaito' Lopez (bass); Manuel 'Guajiro' Mirabal (trumpet); Amadito Valdes (timbales); Roberto Garcia (bongos, guiro, cowbell); Carlos Gonzalez (congas); Alberto 'Virgilio' Valdes (maracas); Carlos Puisseaux (guiro); Juan de Marcos Gonzalez, Manuel 'Puntillita' Licea, Antonio 'Maceo' Rodriguez (chorus vocals); Richard Egues (flute).


About Rubén González

Tags


PREVIOUS / NEXT




Become a Sustaining Member

Get the Jazz Near You newsletter

Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.

Help Build the Future of All About Jazz

Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.

Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.

Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.

More

A Distant Land
Rich Halley 4
Renovation
Benny Green
Kevin Sun, I.
Kevin Sun

Popular

Desolation Row
David Maranha / Rodrigo Amado
2014 NYC
King Crimson
Beneath Lifted Skies
Linda May Han Oh & Melissa Aldana
Talamanti
Patricia Brennan and Sylvie Courvoisier

Get more of a good thing!

Our weekly newsletters highlight our top stories, top album reviews, website news, free songs, radio & podcast shows, news, and upcoming jazz events near you.

Install All About Jazz

iOS Instructions:

To install this app, follow these steps:

All About Jazz would like to send you notifications

Notifications include timely alerts to content of interest, such as articles, reviews, new features, and more. These can be configured in Settings.