If you're familiar with All About Jazz, you know that we've dedicated over two decades to supporting jazz as an art form, and more importantly, the creative musicians who make it. Our enduring commitment has made All About Jazz one of the most culturally important websites of its kind in the world reaching hundreds of thousands of readers every month. However, to expand our offerings and develop new means to foster jazz discovery we need your help.
You can become a sustaining member for a modest $20 and in return, we'll immediately hide those pesky Google ads PLUS deliver exclusive content and provide access to future articles for a full year! This combination will not only improve your AAJ experience, it will allow us to continue to rigorously build on the great work we first started in 1995. Read on to view our project ideas...
New York's Smalls club has been the launching pad for an inordinate amount of jazz artists that belies its diminutive square footage. One segment of their territory is an Israeli-American jazz connection that has produced a culture of premier artists who have gone on to influence the broader jazz community. Pianist Omer Klein is part of a second wave of these musicians who mix virtuosity, world music sensibility and melodic flair to affect a global sound.
Omer Avital, whose exquisitely powerful bass has helped to define this sound, joins with drummer Ziv Ravitz and percussionist Itamar Doari on this debut. Klein's style and compositional strength brings to mind other melodic jazz/world masters and those that enjoy pianist Maurice El Medioni's rai stylings will be very much at home here. The Mideastern flavor is highly evident and streaks through these selections in the way that strips of chocolate run through a delicious French croissant. The rhythms and melodies add to the jazz without sacrificing the rich texture and roots of the original style.
Klein makes good use of a lyrical and fluid right hand in the context of Avital's support and a broad percussive landscape. In addition to this first-rate musicianship several of these melodies are quite catchy while others are seductive and hypnotic. Two solo piano works, the all-too-short "Unerasable" that uses rubato to effective advantage, and the hymn-like "Tiul Be 'Israel" contrast with the up-tempo "Abutbul," quick stepping "Netanya" and the delightfully brisk "Oud Song." "Kavana" is a focused closer that strikes a beautiful balance between rhythm and melody that subtly builds to a devotional climax. An auspicious debut that is compositionally strong, musically relevant and refreshingly listenable.
Track Listing: Abutbul; Malchut; Oud Song; Unerasable; Melody For Alon; 3/4 Mantra; Netanya; The Journey Home; Tiul Be 'Israel; Kavana.
I was first exposed to jazz through a high school friend who played Keith Jarrett's The Koln Concert for me. Therefore, that was the first jazz record I bought. From Jarrett to Chick to Oscar and Herbie and then came my first hearing of A Love Supreme. I was never the same...
We sent a confirmation message to . Look for it, then click the link to activate your account. If you don’t see the email in your inbox, check your spam, bulk or promotions folder.
Thanks for joining the All About Jazz community!