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Recorded live in Berlin in 1999, this quartet outing features longtime Cecil Taylor associate and drummer Andrew Cyrille. But guitarist Franky Douglas' intermittent injections of James Brown-style funk passages provide a curiously interesting curveball of sorts.
The quartet commences the set with a feeling-out process, greasing the pot prior to an onslaught of intertwining call-and-response choruses. And as many of us would surmise, Taylor and his quartet go climactically fast and furious for the jugular. The pianist peppers and accentuates his bandmates' rumbling and tumbling sense of forward motion. Then again, Douglas' wah-wah guitar choruses cast a bizarre edge to Taylor's avant-garde canon.
On "Carnation, cellist Tristan Honsiger's oscillating arco passages establish the framework for the musicians' capacious dialogues of expansion and contraction. At times Taylor tempers the hard-hitting flow with sublime chord clusters, periodically toggling matters down to a near-whisper. Overall, this recording is one his more compelling dates in recent years. It's partly about frenetic group interaction, shaded with Douglas' occasional implementations of mainstream R&B. Recommended.
Track Listing: Focus; Carnation; Cartouche.
Personnel: Cecil Taylor: piano, voice; Franky Douglas: guitar, voice; Tristan Honsinger: cello. Special
Guest: Andrew Cyrille: drums, tympani.
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me
I was first exposed to jazz as a middle school band student. A college ensemble passed through and put on a concert for the band students (of which I was one). The level of mastery and musicianship blew me away, intimidated, and inspired me. Try as I might, I was never able to achieve a high enough level of competency to perform at the level I was first and subsequently exposed to. Regardless, I was hooked on jazz and remain so to this day.