Home » Jazz Articles » Album Review » Saint Dirt Elementary School: Ice Cream Man Dreams
Saint Dirt Elementary School: Ice Cream Man Dreams
The nine-piece ensemble realizes composer/guitarist Myk Freedman's writing with ease. Like a Raymond Scott title, the seemingly simple constructs are actually quite complex in performance. The future cartoon music here is definitely for an adult crowd though.
The 14 tracks are a sort of film score to a romantic comedy, one with plenty of pratfalls and love-lost and love-lost again moments. With hints of Nino Rota and the innocence of Bill Frisell, Freedman's compositions are realized by Jake Oelrichs' glockenspiel, Tania Gill's melodica, and Julia Hambleton's clarinet, alongside the off-kilter saxophones of Kai Koschmider and Evans Bradshaw.
Freedman's lap steel guitar contributes to the eerie sounds of the "Unnameable Dance," a sort of Eastern European start/stop dervish with squeaky joints. But don't ask why. The demons lurk with more tweet than squeak on "My Future's In The Air," a perfect soundtrack for the bumbling Inspector Clouseau to stumble around to. Now Henry Mancini is smiling somewhere too.
The record is packed full of pure joy.
Track Listing
Ice Cream Man Dreams; Clicking With the Clique; My Future's in the Air; He Looks Just Like Her (and she thinks he's beautiful); Riverbank Manager; Bear Wrestler; Unnameable Dance; Sparrow; My Children's Song; I Am Trapped On A Ship That Has Already Sunk; To Be Whistled in the Rain Forest; Poppy; Murder Ballad; She's Not My Girlfriend (my girlfriend's normal).
Personnel
Wes Cheang: acoustic guitar; Ryan Driver: analog synthesizer; Myk Freedman: lap steel guitar; Tania Gill: piano, melodica; Julia Hambleton: clarinet; Kai Koschmider: alto saxophone; Jake Oelrichs: drums, glockenspiel; Mike Overton: bass; Evan Shaw: alto saxophone.
Album information
Title: Ice Cream Man Dreams | Year Released: 2009 | Record Label: Barnyard Records
About Saint Dirt Elementary School
Tags
PREVIOUS / NEXT
Become a Sustaining Member
Since 1995, All About Jazz has championed jazz as an art form and supported the musicians who create it. Over three decades, it has grown into one of the world's leading jazz resources, serving hundreds of thousands of readers, musicians, presenters and industry professionals each month.
Help Build the Future of All About Jazz
Your support helps us continue building All About Jazz for the next generation—expanding our editorial coverage, preserving jazz history, developing new community features and creating better ways to discover the music and the people behind it.
Become a sustaining member for as little as $20 per year and you'll immediately enjoy an ad-free experience along with access to subscriber features and future articles for a full year.
Together, we're not simply sustaining All About Jazz—we're building its future. Thank you for being part of the journey.





